A strong return to the unexpected yet satisfying and authentically honest traits of Christopher Dallman’s music; those that forever make it so uniquely appealing
Rebecca Cullen
Skilfully intertwining the delicacy of choir-style vocals and retro electronic synths, Play Master Frequency craft an enthralling journey through atmospheric and emotional depths, for Noor Path.
Hurt People Hurt People delves into the impact of trauma and heartbreak, whilst delivering a brilliantly-crafted set of tracks uniting RnB, rap and pop in a handful of ways.
As far as acoustic or folk-pop singles go, this balancing of faster bars and softer vocal inflections, alongside a refreshing yet fitting riff that loops and loops, makes for a compelling journey.
Marko Vintage captures both the sound of the moment, and that of an individually driven artist – with a unique story to tell, a poetic and personal way of telling it, and a notably versatile approach to production.
Summer strikes early this year, as Lupus J.’s return brings a passionate dancehall anthem of optimism, colour and soul.
Harris remains a creatively passionate composer – the sort with an unquenchable thirst for artistry and understanding.
Sharp bars and smart rhymes bring up the energy and appeal of this rhythmically addictive new single from Lee $upreme and !BLAIR8Ø8.
Ratedchris brings melody, rhythm and style to the modern rap and alternative pop scene, with the catchy and tuneful trap anthem Paris.
“I try to keep it as simple as possible, the inspiration is a flash into the abyss of routine.”
Portugal’s Mary Ann unites thoughtful songwriting with a unique background in progressive metal, for the passionate and powerful single Wake Up Call.
Making his appreciation for catchy hooks known from the outset, D’anthony Lorenzo kicks off his self-titled album on an infectious high.