The song is powerful, hypnotic as it rains down at volume, and it highlights the very best of the I WANT POETRY sound.
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During the latter half we get to appreciate the reverb-soaked, atmospheric presentation of a dreamy guitar loop, and a touch of Caban’s own affinity with afrobeats, modern rap and world music flavours.
Gliding into view on the blissful pairing of deep bass and dreamy guitar, Ana Androic unites RnB vocal flavours with contemporary trap rhythms and a clear sense of heart, for Glow.
Refreshingly bass-led to begin with and somewhat capturing a fine balance between freestyling and a catchy set of riffs – BATES energise with chaos and calm united, for Catalyst.
Organic piano, strings and cinematic rhythms back up the increasingly soulful presentation of Little Archer Worship’s Until You Break The Storm.
Organic and colourful musicianship and production guides us beautifully into the optimistic groove and celebration of Maini Sorri’s Just Let Me Sing.
Soulful simplicity captivates from the outset, as songwriter and artist PHINYX releases the third track from her upcoming EP Bad Girls.
Not A Problem transcends the impressive aspects of Estella’s work, and effectively reinforces the strength of her name and indeed her audience’s connection in a profound and powerful way.
Retro dance flavours and piercingly soulful vocals guide us into the infectious and uplifting groove of Fabian Raad’s Insatiable.
Perhaps his finest project to date, Hey It’s Not Just Me brings things back down to the ground, for a deeply moving look at the many thoughts and feelings that haunt us as humans.
The tune goes up, the hope with it, then everything descends again towards darkness – and this process continues, loops and loops until the journey ends.
Precisely and passionately uniting a strength of songwriting with a creatively engaging approach to production, Mya Project welcomes in the new year with the deeply-heartfelt and uniquely cinematic Lost In Words.