From the EP of the same name, When Dreams End showcases the moving and thoughtful songwriting and performance style of country folk artist Chris St John on a bright yet refreshingly honest high.
Pop Rock
Leading with a strong organic groove of soulful guitar, descending bass, organ and rhythm, Tatiana Moroz offers a beautifully uplifting and inspiring anthem.
“…I’m struggling daily, barely making it through the night, and it seems our struggles are so different but so similar… mostly I don’t have the time, to see what you see.”
Undoubtedly an audience-pleaser, SHE’S NO DOLL, SHE’S A WOMAN celebrates freedom and joy in a memorable fashion, and naturally leaves its melody and sentiments lingering once the music has ended.
It’s a timeless classic, ready and waiting to embrace a live audience – with a huge finish that’s perfectly well designed for that crowd unity and joy.
Always a dream to stumble upon a new favourite band, not least of all in unison with their release of a brand new album.
Richard Tyler Epperson showcases the clear strength of his composing ability, skilful musicianship, and outright lyrical depth, with the superb new album A Wandering Mind.
Growing Pains hits with a Cranberries-esque haunting vocal presence, and progresses with emo-rock verses that build beautifully towards the lingering question; ‘am I bitter, or just feeling better?’
The UK’s own The Lunar Keys return this month with a beautifully crafted soft-rock anthem of arena-ready presence.
Davey Harris delves further into the animation of his creative identity with the catchy rise and fall of a dreamy yet energising Honey.
Blending pop-rock qualities with character and alternative appeal, Pidgie leads with emotive intention and a sort of Eels-esque melodic warmth and identity, for Just Breathe.
Deeply moving and mighty vocals unite for this gospel meets soul-rock single from Collaborations.