Brilliant writing that intrigues and follows its own expressive, long-form melodic pathways – Amy Blanding pairs a jazz-folk arrangement with enchanting storytelling and performative nuance, for the gentle, graceful, and impactful Flooding and the Foam.
Singles
Beautiful songwriting, humble musicianship – piano and a clapped rhythm, raspy vocals and short lines reflecting on war and the painful repeats of history. Patrick McMenamin leads with a voice and writing style that feel evocative, honest, and powerful, for the timeless and passionate folk single The More Things Change.
An indie corner of country music that rightfully brings a twist of personality, and a conceptual celebration of precisely that. Mitchell Broodley highlights the nuance and charm of individuality and connection, with the gorgeous indie warmth of Different’s Where I Wanna Be.
Dance-pop crescendos and floor-filler synths build an EDM and anthemic pop classic, only this time it’s with a twist of powerfully juxtaposed sadness and despair. Mr. Miserable adds a unique angle to the anthemic EDM realm, with the addictive euphoria of LOVE MY MISERY.
Sharp bars, distinct vocals and a playful confidence that captivates across anthemic old-school hip hop beats and catchy jams. DJ S-Three has fun with the process, throughout the 18 original rap tracks of his brand new album Platinum.
Boldly skilful vocals honed over decades of performance in the West End, alongside a captivating poetic and melodic journey from delicacy to euphoric uplift – Shimi Goodman brings unparalleled experience and conviction to modern music, with the deeply evocative, classical crossover single Adagio.
Multi-instrumentalist Vituia has written over 700 original songs, all from a vehemently anti-AI lifestyle over years of commitment to the crat. More recently, production tools have allowed the at-home creative to present his works under an unrivalled light of professionalism, and the result is a notably more polished sound.
Dark trap rhythms with distinct and haunting piano riffs at the forefront, a raspy vocal and theatrics designed to draw attention and set a vibe – Showtime Ennuh captures a style between styles, with the late-night energy and performative lust of Shake Dat (Twerkhall).
Choosing honesty over comfort, MIIA blends timeless electronic dance-pop with evocative realism, for the long-form and soulful expressions of Necessary Evil.
There’s a healing quality to an arrangement like this, and Peter DiMaggio’s politely expressive voice suits that type of ambiance rather beautifully, furthering the satisfaction and appeal that is the light and rather lovely Chasing a Trace.
Stoned is far more complex and evocative than its title perhaps implies, a clever take that proceeds to explore the true impact of sexual abuse. The song follows a strong groove from a timeless NMDA, and is naturally elevated by the sheer resilience and grit of Isabelle’s unrivalled passion, presence, and power as a vocalist.
Your Love is contrast-heavy, from vocal samples of lightness and emotion, through dubstep and EDM beats and basslines that constantly redirect things. The mix is incredibly creative, at one moment familiar and hypnotically looping – at the next a vast sense of rising anticipation working its magic; like the sudden journey after a drop in the hero dose realm.