alancing delicacy of style with depth of substance and occasional scorn, this track features a modern trap rhythm, and a rise and fall melody fusing emo-rap and RnB throughout a heavily confronting, gritty and unignorable story.
Singles
Snappy and sharp country songwriting, an infectiously upbeat groove, and a melody that’s quick to sink its teeth in. Songwriter Bob L-A highlights the very best of his abilities in being whole-heartedly committed to the writing craft, with a catchy bounce, lyrical hilarity and scorn all carefully intertwined, for the brilliantly memorable Like The Garbage That You Are.
With a growing audience of global fans enchanted by his evocative vocals and limitless confidence as a performer, Scott Young has built a following from his original music and dance performances combined.
A non-intrusive but lingering melody and build up, near-euphoric at its musical peak, and even at a rather extensive six minutes in full, the song confidently persuades you to listen more than just once or twice – to lose yourself in the sound all over again; in this softly passionate call-out for connection.
Nostalgic acoustic RnB with soulful harmonies and a heartfelt, scornfully honesty thread of lyricism. Kesha Lee takes things back to the bare essentials of songwriting and performance, with the naturally catchy, evocative, intimate and genuine single You Hurt Me.
Upbeat country pop with an underlying dance groove – genre-fusing songwriter Gary Louca returns to the solo realm, with a catchy new single from his impending country electro pop album.
From folk pop softness to Johnny Cash confidence and grit, the style of Allan J rings loud as consistently unique for this release. The set-up and production, the lyrics and melodic meandering, the voice itself, all leans in the direction of something both original and inspiring, and fittingly, that’s also the essence of the song itself.
Around You sees us move away from the shoulder-swaying grooves of the past, for an upbeat indie gem of a track; one that feels like a slept-on classic from the late nineties days of Girl From Mars and Drinking in LA.
Acoustic roots return to lift up the forever unmistakable vocal stylings and lyrical darkness and depth of 3mind Blight. The iconic indie songwriter collaborates once again with Crimson Violet Blight, this time for a melodic and guitar-led venture through an evocative story of betrayal, denial, disgrace, and desperation.
THE SUN WITHIN provides a near-four-minute dose of inspiring escapism, built around a three-chord piano pattern that rises and falls, evolving intensely, with layers of Sarah’s unmistakable voice and fearlessly poetic lyrics guiding the way.
Unpredictable to the core yet ever impressive for his intricate fusing of vastness and precision – Swiss composer and producer David Ratmoko continues to blur the lines between classical and contemporary electronic genres, with the darkwave depth and gothic etherealism of Andante One.
The overall creative set-up rings loud in a similarly distinct way, the music blending the familiarity of pop with the alternative freedom of an artist whose creative pathway is clearly uninhibited, and genuinely focused on feeling and intention as it pours through the airways.