Devoted Welsh rockers Waterpistol are drawing in an increasing number of listeners right now. Their nostalgic style and original songwriting consistently blend laid-back vocals, catchy melodies, and infectious grooves, with structural songwriting that’s both satisfying and again links back to the psych rock era of the sixties.
Singles
UK punks Sir Sidney Squacko and Lord Jonny Macko compile the fast-paced indie sound of Radio Rubbish – a modern rock duo taking on the topical tribulations of our time.
Fascinating production and vocal intrigue lay down a strong foundation, as Horror Movies in the Morning joins forces with Polo Frost, for the hip hop to hard-rock fusion Die In Vain.
What appears to be a simple ode to love soon explores the concept of loss and the fear associated with losing someone who means so much to you. Seeing demons in the rear-view is a brilliant metaphorical encapsulation of the subtle anticipation for doom and gloom that often resides in the minor shadows cast by true love.
Colourful by both design and lyric – Robert Sawyer celebrates the joy of admiration, with the metaphorical layers and nostalgic stylings of Sunshine & Rainbows.
Big beats quietly mixed, soulful fragments and melodies presenting a mellow and immersive realm of imagery and contemplation. Good Spells returns this season with a beautifully humble, poetic balancing of delicacy and depth, for All In.
The DJ Westwood repertoire is familiar and undoubtedly soaked in modern effects and details. There are plenty of earworms and anthems to seek out.
Lyrically optimistic in its poetic imagery and reflection, After The Rain presents an echoing chamber of ideas, set amidst a funky dance backdrop both nostalgic and distinct. The sound is in keeping with the Deep Transit artistic flair – a playful and uplifting ode to positivity and freedom of design.
It’s a cover of the classic song Congo Square – written by Sonny Landreth and brought to fame by The Neville Brothers – and it brings forth a timeless appreciation for jazz, funk, soul and the sheer joy of live music.
Following on from the fiercely immersive genre fusion of Adagio One, rising artist and composer David Ratmoko manages yet again to enthral, engage, and impress modern listeners, with the darkness and hypnotic depth of Adagio Two.
Capturing a unique corner of Techno-Pop, Dubai’s Moonlit Glow is an intensely euphoric arrangement of synths, keys, rhythms and vocals, offering precisely the kind of drop into finely-crafted chaos and energy expected, alongside a poetic thread of images and ideas appreciating the late-night skyline of Dubai.
“Re-Inventing the Runway” brings humor and attitude to the front row, showing that the future of fashion isn’t just about clothes; it’s about creativity, technology, and a whole lot of fun.”