What each artist has brought to the stage is pretty flawless & beautiful, resulting in a united piece of music & performance that’s uniquely creative & ticks a lot of boxes. A gorgeous alternative jazz track for the summertime.
Rebecca Cullen
The lyrics never fail to put forth the inner truths of the character at the forefront of the story, and in some respects, the general musicality of this release reflects that honesty & that struggle as well.
The organic musicality & the genuine, emotional sound of Erhard’s voice drive the song’s sentiment in a uniquely appealing way – his whispers draw you in, and those bigger moments hit with flawless impact thanks to contrast & his unwavering ability to deliver.
Bringing together the acoustic folk sound & something of a more retro electronic flair, Like Clockwork is heartfelt & hopeful, colourful & optimistic, as is the Djo Life way.
Franklin Livingston is not a Spanish speaker but has put his creative efforts into this single as a mark of solidarity with Spanish communities living in America. He said of the process that love should inspire us to learn each other’s languages & to live in harmony & peace.
There’s something incredibly cool about the composition & the performance. By the end of the experience, this arrangement of notes, this overall progression through the riffs & sections of the song, makes certain to linger in your mind for quite some time.
There’s something really soothing about this piece of music & writing. The simplicity of the soundscape is a part of this, Syke E’s voice is another – his tone fits perfectly with the mood set by the instrumentation.
The guitar work is perfect, simple yet effective, instantly recognisable after even just a single listen. Soon enough, the song’s lyrics start to take hold, sinking in with the emotional depth of something incredibly real & heartfelt.
Authentic music will always find an audience. I really think there’s an appetite & pent up desire for something authentic, and I’m sure it’s out there somewhere. I’ve heard bands lately, and I can’t figure out why they bother. And don’t get me started on tribute bands.
What stands the tallest about this version of Where Is My Mind is Costi’s rap verse, particularly that opening set of bars – it comes so unexpectedly & proceeds to effortlessly pour these fresh ideas & rhymes out to you in a calm yet confident way.
I have serious doubts about the future of rock & roll. I don’t really hear anyone doing it. It’s a lot of DJs & rappish kind of stuff, singing to a backing track or jam bands & tribute/cover bands, which I don’t get at all. It’s like why would you go see people playing other people’s music?
The musicianship presents an impressive & vast collaboration. Goodreid’s voice & songwriting style, his genuine nature, his unstoppable imagination – it all makes for a playlist that’s unlike anything else you’re likely to hear right now.