Introducing a unique take on Christian Contemporary and Gospel music – UK-based creative DORCAS TG brings a joyful twist of reggae and personality together with catchy and heartfelt songwriting, for the likes of her uplifting single Sweet Jesus.
Rebecca Cullen
Heavily distorted electronic production unites intense rhythms and euphoric synths, as Noah7even composes a uniquely hypnotic and evocative debut, for PANORAMA.
Chris establishes the artistic journey really well, the final section acting as a brief second verse; a momentary return to quiet poetry, before we explode back into the peak of the arrangement, for the mighty and resounding, familiar ache of ‘I’m reminded that you’re not here anymore – As I pull myself from off this floor’.
Adrien’s voice maintains its authenticity – the performance feeling genuinely like a simple ode or letter to a significant other, never initially meant to be heard by strangers, but all the more intoxicating for that quality.
Charming basslines and productional fullness create a melodic warmth that instantly sets the mood, before a breathy and compelling lyrical venture adds a whole new twist of intention…
California’s Aquafox artistically relays the complexities of self-discovery, with the brilliant uplift and simultaneous evocative relevance of Triggers.
Sometimes a song just intrigues you enough with its sense of character and unexpected story that you can’t help but grow to love it. French trio WOooodz seem to have mastered that quality here, blending the mildly unremarkable with the outright unpredictably powerful, for an evocative and catchy indie hit with a clear sense of conceptual relevance.
Featuring a gripping storyline that’s personal in lyric but relatable and broadly compelling in the accompanying video, SnapDibz recreates the story of the Karate Kid with My Life’s visual counterpart, depicting a child’s reaction to being bullied and ultimately finding his strength. Meanwhile the music relays a tale designed to engage with and inspire those who are struggling to find their way.
The work feels devoted to its story, this prolonged melodic venture of changing emotions – rather than simply a showcase of the quickness and skill of a pianist. That approach is rare these days, and allows the album to ignite its rightful spark within the first few moments of listening.
Perhaps his first masterpiece, Leaving feels like a structurally knowledgeable yet still intriguingly alternative indie treasure of a track. I’ve mentioned The Eels previously in terms of that vocal rasp and warmth, the joyful twinkle of the instrumentation, but from a songwriting perspective Marshall Gray falls somewhere between the likes of the nineties emo artists and the more edgy realism of bands like Radiohead and REM.
MUJER DE EXITO, Unbounded – Women of Success Without Limits – is a bilingual podcast with an engaging fusion of clear passion and professionalism elevating discussions and conversations with industry leaders.
Retro guitar pop with an equally nostalgic lyric-video to reinforce that yesteryear emo energy – Lanie Laynz recaptures the fun and jovial scorn of a simpler time, with the upbeat anthem April’s Fool.
Recently made record of the week on FM-R Radio in the Netherlands, When We’re Home offers a timeless sense of musicality and appreciation for the little things in life – the calming sense of stillness and safety provided by coming home; wherever in the world that may be.