Building from a purely acoustic and nearly whispered introduction, Monsters employs Frida Mann’s unmistakable vocals, and slowly but surely evolves through a story of anger, resentment, confinement. The voice is captivating, and later near-euphoric in its outcry, and as such, this conceptual journey is incredibly passionate, in both vocal and instrumental delivery.

AcousticAlt FolkFolkFolk RockSoft RockSongwriter

Slowly increasing the ambient details, the melodic resolve of Swan is easy-going but effective, ‘the swan is down’ feeling almost unfinished every time it appears, and adding a kind of alternative, perhaps Damien Rice-like melodic uncertainty and ache to the music.

AcousticFolk

Gentle lo-fi synth notes and the quiet strum of an acoustic guitar, an intimate vocal and writing style that feels diary-like in its tentative expression and longing. Chris Pannella delivers the closing song from his EP The Four Seasons of Her, and its a sleepy to euphoric and heartbroken story of love lost and fading passion.

AcousticFolk PopIndie RockSongwriterSoul Rock

More great music from Germany this season, the softness of nineties indie pop, acoustic and comforting, with genuine sentimental value at its core. The Last Lupine offer an evocative sense of escapism and story, with the stunning simplicity and wonder of Stay, Return.

AcousticFolkFolk Pop