This album is something like progressive shoe-gaze, less soaked in reverb, with a little more clarity, and really just a creatively free and fairly unique angle to it. Worth a listen if considerate and intentional songwriting draws you in – as well as delicately hard-hitting rock backdrops.
Music
It’s a dizzying and somewhat psychedelic experience, building to a schizophrenic whirlwind of deliberate dissonance and beauty that’s mashed together before being led to a marching string finale. It’s a singular listening experience that I‘d whole-heartedly recommend, with an extraordinary accompanying video that provides a complementary, slightly unnerving experience. Try both!
In a world full of volume and unnecessary quirks designed to grab attention, songwriting and smooth, pure performances such as this have the ability to stand out and make a difference thanks to their realness and the clear talent at their core. Ride For You is a humble and beautiful release, a moment well captured.
The well-traveled and musically eclectic artist that is Jonathan Anderson, better known lately as The Tiny Violinist, emerges as perhaps one of the most hard-working and passionate solo instrumentalists of 2019.
Producer Samuel crafts a blissfully uplifting new playlist for music fans to escape within. Showcasing superb creativity, impressive musicianship, and stunning soundscape design on the whole, Sax and the City kicks into gear with the gorgeous good vibes of In My Head, and refuses to fall below par for the extent of its 13-track playlist.
The album easily gets better and better as it goes along. Well worth a download, support the indie world and discover some fresh and professionally crafted new tracks along the way.
He uses his voice for texture as much as for carving out an individual niche as a vocalist and I’m led to the conclusion that Ete serves the song. Whatever is needed to serve the song is the right artistic choice, and I can only applaud decisions like that with all my heart.
Being a live performance recording, Deep Water has just enough rough edges to re-assure the listener that the talent on show is for real, and actually is playing live. Musically, the pre-chorus chords echo Eminem’s My Name Is, but influences aside, Elta Wave are exploring a soulful pop that has an indie edge and a nod to the 70s – courtesy of sound choices.
Jill has a sweet, bluesy voice, delivering the attention-seeking lyric with an authentic, slightly clipped enunciation that recalls the 1920s, all flappers and Lindy Hops! It displays wit, confidence and imagination in spades – and I hope lots of people get to hear this catchy little number, Because Jill Sargeant’s done a great job with it.
A colourful and fairly classic hip hop vibe meets with an uplifting and melodic soundscape, decidedly and intentionally retro, reminiscent of the nineties, and creating precisely those beach-side vibes and the rhythmic embrace designed to get you feeling good.
It’s a pleasure to hear music like this make a come back, it feels perfectly well suited to some reflective moment of cinema or TV drama, and yet it works equally well as the comforting embrace music fans often need on the long drive home.
D’Antre impresses with smooth yet softly raspy vocals and a selection of engaging melodies on this latest album. Beginning with the poetic and expressive Last Night, the project involves the listener from the offset, whilst also proving deeply personal and intimate in nature – walking the line effectively between exclusivity and accessibility.