Following a high-energy, thirty-second introduction, SKG proceeds to spit bars relentlessly yet with a mellow, confident rhythm for the remainder of this new track.
USA
Choose any one of the tracks and the sheer quality and caliber will likely blow you away. Superb and honest musicality – a real treat to let play right about now.
Come Home explores precisely what the title implies – many of us have lost our sense of home, and with it, perhaps our sense of self. The more intently you listen, the more strongly the ideas connect & even enlighten.
Featuring impeccable bars, breathless in some cases, spoken-word style in others, the album manages to be artistically free yet focused – unusual yet professional, and consistently interesting.
There’s something notably refreshing about all of this music, and furthermore, that artistry is met with absolute professionalism production-wise. Unique and interesting, immersive and genuine.
Smooth vibes and soulful vocals pour through the speakers in waves of warmth for this brand new single from Jae Alexndr.
It’s a melding of primarily 60s- and 70s-influenced classic rock songs and sounds and yet sounding audacious and as fresh-as-a-daisy enough to consistently beguile the listener, I’m at a bit of a loss for words, whilst seemingly being able to write endlessly about it!
“That really is Frank Sinatra’s toilet on our album promo poster. “
Jonathan Anderson, first introduced to us as The Tiny Violinist, returns this summer with an intoxicating and deeply emotive composition, aptly titled Heart’s Palisade.
Ade calls out for a second chance, driving with a softly seductive, genuine vocal line, and a likeable sense of hopefulness that shines brightly throughout.
Not even reaching the two-minute mark, Closure is as concise and heartbreaking as its title implies.
Heavy electronic production meets with an equally heavy bass-line, beat and vocal backbone for this industrial and intense new single from Genesix.