Husband and wife duo Sapphire Soul keep things organic and honest, with the raw country and Americana recordings of their latest album The Main Attraction.
USA
Softly soulful, classic vocals and an equally classic arrangement of strings, keys and modest rhythms – Davis The Singer lets passion and connection guide, for the growing emotional charm and sublime performance of Colors (reimagined).
Cinematic progressive rock, designed to evocatively move from intimate acoustic musings to the full-throttle implied passion of a bold hook. The Dead Empire employs modern production tools, to bring to life a meandering and expressive soundscape, with soulful to gritty vocals at the forefront.
Catchy electro-trap with colourful production and gentle melodies, all running unison with sharp bars and a modern rap flow that effectively fuses genres. Bandido Shén lights up a clear sense of character and songwriting ability, with the changing dynamic and sharp, smart earworm of a hook that is TOO TUFF.
Stunning electronic dance music and songwriting culminates this season, as the dominating creative corner of Revoizz launches the latest 80s synthwave / Night Drive Remix of the mighty She’s A 10.
Nostalgic big rap and boom-bap vibes captured with a certain raw edge of real indie garage music. NekU$AkeN blends something like old-school hip hop with the comedy, character and rhythmic bounce of Bloodhound Gang, for the X-rated anthem Living Like Larry 2.0.
Summer-style vibes with the big-band energy and smart, snappy rap flow to boot – Darco Polo captures attention with ease, blending contemporary and classic qualities, as well as genres, throughout the likes of his addictively entertaining Give Me More.
Sharp bars and smart storytelling, a clean fusion of contemporary references and personal anecdotes – something motivational and evocative, from the stylish indie corner of Hollywood.
Taking us back to the bedroom recordings of eras past – the simplicity and realism of garage demos and honest indie music. What’s On? created the fifteen original tracks of What’s Off? in between studying software development and working fulltime in a warehouse, and it’s an experimental guitar-pop collection of quirky, often catchy alternative jams.
Raw and imperfect, unfiltered and free – an artist opposed to AI-made music and as such maintaining a certain human realism that’s all the more valuable for its timing. Vituia gets provocative, dark, poetic, reflective, and bold, throughout a growing collection of free-flowing original tracks.
The project is complex, and fiercely eclectic, but the ideas and emotions resound and reach out, from the boldness of I’m the villain again, its honesty in crying out for help, through the creative highs and lows of a versatile electronic rock and neo-classical playlist. The openness is welcomed, and the passion is clear and concise.
Great energy, catchy hooks and a classic pop-rock band set-up that’s indicative of the freedom, fun and thoughtfulness of youth. West Coast rock four-piece Satellite Eclipse deliver a colourful earworm of a track, with the brilliantly satisfying indie anthem one hot minute.