You need to see this through to its finish, which doesn’t take long, and which satisfies intensely, as it sweeps you off on its energy and its raw, poignant emotion. The story and the sentiments, the delivery, the rising passion, the contrast of musical brightness and vocal sadness, all delivers a kind of modern emo folk tale and burst of realism that’s euphoric to listen through, from start to finish.
Folk Punk
Don’t Bother Brother delivers a catalogue of music that’s perfectly in tune with the exasperation implied by his name, and with an elusive visual image to match, intrigue and deeply human sentiments prove notably enthralling.
Folk-punk, blues-rock and Gypsy-jazz brings stories of traditional and modern poetry, as Until They Burn Me launch their sensational, impressively organic, melodic, gritty and infectious new album, A Carnival of Reveries.
Standing tall on a great sense of groove, carefully blending a strong acoustic riff, organic musicianship and funky rhythms – a spacious and soulful, catchy mix, with a clear sense of evocative depth at its core. Exit12 highlight the wonder and beauty of their uniquely genre-fusing and immensely impressive album Condition: Human, with the perfectly distinct, engaging and frankly euphoric Known.
Award-winning songwriter and musician Sean Martin fronts the brilliantly unique genre-fusing indie rock act The Quarantined, delivering this summer an incredibly original story and set-up, for the passionate and powerful Skeleton Chair.
Celtic metal, alt-folk and rock – bold and beautiful vocals, distortion and delicacy consistently ebbing and flowing – Morganway carve out an unmistakable lane, with this piercingly emotive and gritty new anthem I Feel The Rain.
The rest of the That’s life project follows suit in terms of the genre freedom, this Folk-meets-Ska approach to organic and colourful music. Think Sublime with a twist of The Pogues, only here we get stories and sentiments, structural songwriting and musical freshness, that all proves true to the disco partisan approach.
Inspired by Beethoven’s 5th symphony and utilising contrast just as well, The One Who Didn’t repeatedly turns towards juxtaposition between acoustic purity and full-throttle, orchestral and cinematic weight.
Marc proves the perfect leader, the indie alternative voice in lyric and tone, gifting a less common realm of artistry to confide in and connect with.
“A large part of my role is that I have a career, a living to make. My role as an artist is to make the best, most honest art I can; no more, no less.”
Festival stages across the globe call out for an act like this. Absolutely worth appreciating as summer 2019 swings into gear. Listen loud.