Following on from the Ukrainian Aid-raising single Where Did You Go, newly-founded project Wall Side release two further songs in the run-up to completing and presenting their first full-length album.
Europe
Seven minutes of audio exploration uniting relentless House rhythms with cinematic layers of industrial and human intricacies – producer and artist SPENSER M rides the wave of success from his recent mixes.
Skillfully capturing a precise and fairly profound balance between the delicacy of its artwork and the contrasting weight of the moment, Richard Maxwell delivers a brilliantly original collection of instrumentals.
The soulful rasp of Stevski17 returns for this grunge-kissed, melodically alluring new single.
“If I could turn back time, George Michael would have been my favorite. A more amazing voice and a more multi-faceted artist is hard to come by today.”
Urgency and passion unite with a warming sense of possibility, as we rise up to consider the implications of not forgiving, and the freedom of actually choosing to forgive – both ourselves, and those around us.
Instantly capturing a sense of joyful possibility, composer Konstantin Dobriak delivers a string-led arrangement of rising warmth and vibrancy, for the inspiring and aptly-fantastical Dreams.
The whole thing feels like a modern-day take on the classic love song, with dashes of Jazz, Pop and Neo-classical design all intertwined throughout.
Every once in a while, an original song comes along that takes you to such a new place of contemplation and feeling, that it becomes close to impossible to analyse or explain the reasons behind it.
Tal Shofet encapsulates the emotions of the writing with a brilliantly bold and versatile set-up. As such, you can appreciate the unplugged ability of I Think I’m Dying as much so as the full-band potential.
When live musicianship is captured to such an authentic quality, you get that depth of bass through the speakers, the soulful lightness of the guitars, and the crisp, clean presence of the kick drum and hi-hats…
Heavy dance-vibes incite a nostalgic hard-house embrace from the outset, as ALISA FOX crafts an immensely energising and distorted new floor-filler, with the fast-paced ferocity of FREEDOM.