Long-time rockers Dead Freddie return with a bang to kick 2020 into shape and remind listeners that creative, intentional and immersive rock is still alive and thriving.
Music that isn’t designed for elevators and supermarkets demands that we should listen; pay attention and not be simply witnesses, too. Witness passes the test, it definitely deserves attention to be focussed upon it.
Hitting the scene with style and a notably considerate yet contemporary debut album, KingTrey blends gritty, hard-hitting vocals, with haunting, hypnotic soundscapes, and an unwavering level of energy – often to the point of leaving you breathless.
Not too many artists manage to be authentically creative, fearless in their style yet still interesting and impressive in the process.
An ever-intriguing Thamatic get the chemistry on point with this EP. Offering up everything from image and concept to sound, style and intention, this trilogy shines light on everything it means to be an indie act on their way to something meaningful and lasting. First we have the mellow yet uplifting, increasingly ambient and immersive … Continued
Proving with beautiful purity and talent alike, that it’s never too late to start something – Mason Holiday was in his thirties before he took up learning guitar. His new single, the minimalistic yet sentimental Heaven, is one of 2020’s most heartfelt and intimate releases to date.
Beginning with the quickly immersive and inescapably catchy Pull The Pin, fast-paced guitars and subtly raspy, accessible vocals lead you through a memorable melody and poetic story-line that almost instantly presents an absolute anthem of a track.
I’ve Been Watching You sees LeGrand take on a sultry and seductive style, gracing the airwaves with a rhythmic and soothing vocal that suits the pace and swagger of the beat beautifully.
Following the release of their superb new single Spacesuit, and prior to the launch of their latest album The Final Album,we caught an interview with alternative creatives Thamatic to find out more about their journey, what inspires them, and their hopes for the future. Here’s how it went. * * * Hey – thanks for … Continued
A three piece of guitar, bass and drums comes powering out of the traps here. It’s a fizzy capture, washes of cymbals and some heavy riffing on guitar creating a robust, muscular backdrop for some vocals with attitude.
Occupying the ground between Julian Cope during his Fried period and then the snarl and belligerent punky attitude of John Lydon, the lead vocal punches hard on the track Someone You Know. It then wanders into something more wistful and lyrically more exploratory on Waste of Time. There’s an ever-present natural vibrato when the vocal is more relaxed. But melodically, the vocals are making some very deliberate dissonant choices which reek of swagger and confidence and an overall looseness to proceedings which is genuinely original in the current climate.
Someone You Know also boasts interesting rhythm and arrangement choices. ‘Your expectations are too much,’ posits the singer. But they are actually served pretty well, thanks, with some smart arrangement chops which retain the interest well. These include a wandering exploratory guitar solo part and, in particular, a proper diversion into new territory just before the track’s conclusion, when a bridge part suddenly offers a sonic treat before resolving beautifully into a meaty post-chorus riff and the song abruptly concludes.
Waste of Time is more of a workout dynamically, with some questing guitar riffs adding a mystical air to the mix and the vocal gets to explore more tones, at times coming across like Gary Numan in terms of word-chewing delivery.
‘Waves crashing over waves,’ gets repeated in an intense repeating pattern in an exciting bridge part which again makes a welcome impression just before the song’s conclusion. It’s exciting and unexpected and really delivers.
A shot in the arm lyrically and in terms of attitude and energy, Microcosm’s EP is a breath of fresh air.
The tune is robust, fascinating and demonstrates a great sense of dynamic range and colour which elevates it to a very high level.Anthony Vince – Like This
Microcosms stylishly tumble through the speakers for this single, showcasing chaotic indie rock riffs and a grunge-like leading voice that sees the track slowly but surely gather strength and momentum as it fills the room.