Beginning with the quickly immersive and inescapably catchy Pull The Pin, fast-paced guitars and subtly raspy, accessible vocals lead you through a memorable melody and poetic story-line that almost instantly presents an absolute anthem of a track.
I’ve Been Watching You sees LeGrand take on a sultry and seductive style, gracing the airwaves with a rhythmic and soothing vocal that suits the pace and swagger of the beat beautifully.
Following the release of their superb new single Spacesuit, and prior to the launch of their latest album The Final Album,we caught an interview with alternative creatives Thamatic to find out more about their journey, what inspires them, and their hopes for the future. Here’s how it went. * * * Hey – thanks for … Continued
A three piece of guitar, bass and drums comes powering out of the traps here. It’s a fizzy capture, washes of cymbals and some heavy riffing on guitar creating a robust, muscular backdrop for some vocals with attitude.
Occupying the ground between Julian Cope during his Fried period and then the snarl and belligerent punky attitude of John Lydon, the lead vocal punches hard on the track Someone You Know. It then wanders into something more wistful and lyrically more exploratory on Waste of Time. There’s an ever-present natural vibrato when the vocal is more relaxed. But melodically, the vocals are making some very deliberate dissonant choices which reek of swagger and confidence and an overall looseness to proceedings which is genuinely original in the current climate.
Someone You Know also boasts interesting rhythm and arrangement choices. ‘Your expectations are too much,’ posits the singer. But they are actually served pretty well, thanks, with some smart arrangement chops which retain the interest well. These include a wandering exploratory guitar solo part and, in particular, a proper diversion into new territory just before the track’s conclusion, when a bridge part suddenly offers a sonic treat before resolving beautifully into a meaty post-chorus riff and the song abruptly concludes.
Waste of Time is more of a workout dynamically, with some questing guitar riffs adding a mystical air to the mix and the vocal gets to explore more tones, at times coming across like Gary Numan in terms of word-chewing delivery.
‘Waves crashing over waves,’ gets repeated in an intense repeating pattern in an exciting bridge part which again makes a welcome impression just before the song’s conclusion. It’s exciting and unexpected and really delivers.
A shot in the arm lyrically and in terms of attitude and energy, Microcosm’s EP is a breath of fresh air.
The tune is robust, fascinating and demonstrates a great sense of dynamic range and colour which elevates it to a very high level.Anthony Vince – Like This
Microcosms stylishly tumble through the speakers for this single, showcasing chaotic indie rock riffs and a grunge-like leading voice that sees the track slowly but surely gather strength and momentum as it fills the room.
Thamatic have crafted this one with careful attention to detail, and this shows on multiple levels throughout the release. Retro elements fuse with those that feel decidedly fresh and uplifting to offer a memorable and quite striking audio journey.
Introducing softly seductive, near-whispered vocals, Half Of Me leads with unwavering realness – Gregg James’ personal truth connects for its intimate presentation and a fine balance between detail and poetry.
Grand Visions is easily one of best original songs to emerge so far this year, across genres, and this live version – awesomely presented – relights that energy and those good vibes in a wonderful manner.
The music lights up the room by the end, the two singers uniting to stunning results, backing vocalists and dashes of additional instrumentation helping underline a sense of togetherness, of oneness – again, in stark contrast with the isolation and quiet from the beginning.
Introducing a brilliantly effective balance between colourful, pop melodies and a raw-rock musical set-up, Too Much Saturn’s Blame Game is made even better thanks to superb and thoughtful songwriting.
Fusing an electronic, somewhat industrial beat with fragments of orchestral strings, topped off with a pair of sleepy vocals and distant hints of intensity and angst, the track is as bizarrely unpredictable as it is cinematically captivating.