Defiantly unique and rather fearless in bridging the gap between the most intense distorted music and the more charming softness of acoustic and melodic satisfaction, In The Chaos I Return is a fascinating project, which feels profoundly more vast than its three-track limit appears to imply.
Songwriter
Something profoundly unique now, to recapture any wandering minds – to provoke thought on both the topic and style of the music. Artist and musician James Cantey leads us by way of a haunting two-note piano part, into the chaotic electronic-rock and choir-like depths of Tonight.
Uniquely bright and innocent vocals stand tall amidst an otherwise fearlessly seductive storyline and groove – Cincinnati songwriter and artist Kasey Jo carves out a lane of her own, with the subtle country-pop tones and sultry confidence of Wanna Be Used.
Fantastic modern songwriting, as stated, and great production and creative dynamic to hold attention. The music has a joyful kind of synth-led melodic bounce to it, but the lyrics deal with absolute isolation and lostness, and that juxtaposition is mighty.
Guitarist and songwriter Jay Sprouse brings warm riffs and great lyrics back to the organic pop-rock scene, with the memorable tones and concept of Innocent Harmony.
The UK’s own Tim Howarth pierces through the chaos of the industry, with a divinely personal, poetic and poignant ode to authentic artistry.
It’s an inspiring concept, to not let the struggles of the past weigh us down as we attempt to move forward in life, and it’s one that effectively connects on simply a human level – unconfined by genre or age or background. That sense of possibility shines well in the natural optimism and glow of both the music and performance.
As always, Eddie Wang refuses to adhere to expectation, and instead remains a songwriter exploring the darker depths and nuances of the human experience. Here we note the emptiness that ensues when love is lost, when even though we’re better off without the hurt, the sense of life and electricity from that experience seems irreplaceable.
New music from Canadian songwriter Alex Runions brings the soulful intimacy of acoustic folk-pop and a boldly poetic story that instantly captivates. On An Island intertwines the deeply personal with the broadly accessible and imagery-loaded, for a sense of rising passion and power that consistently tightens its grip.
The defiantly distinct sound and thoughtful style of Amo Jr. excels with prowess and subtle power, as the debut single from his brand new album hits the scene to effectively carve out its own unique creative lane.
Melodically infectious, musically on-point, Travelling Man sets itself up to be a timeless Americana classic, with a welcomed twist of mainstream pop in how catchy the central hook and presentation is. The genre is huge right now, and this one makes for a nostalgic easy contender.
And what a hook, what a resolve – we’re in a timeless realm without a doubt, a vocal and production style akin to the bigger years of Robbie Williams, in my view; the rhythm and descending melody of the verses furthering that. Otherwise there’s a touch of George Michael to the style – in particular the rise up for this smooth and celebratory hook.