“Today’s music is so lacking in melody and harmony. There’s not a lot of innovation anymore. Anyone can sit in their home studio and use some electronic beats and sounds and make a song, but after a while it all sounds the same.”
Rock
Thanos’ writing style is increasingly conceptual, poetic, and provocative, throughout this EP. He’s a master of finding the right way to say things, simple yet captivating, and the right melody to really drive it home.
Some Kind Of Voodoo opens up the playlist and kicks things off with a bang, seeing the band fuse a structurally complex and somewhat grunge-like aura with a melodic development and leading vocal that feel way more prog-rock and performance-based than anything else.
“Baltimore is an eclectic hodgepodge of artistic freedom. We have long stood with one foot firmly planted in the Blues but aspire to seamlessly pivot from genre to genre. I can’t stress how important it is to keep that other foot firmly planted in the Blues!”
Color and Contrast is a really strong collection of rock tracks, making for a playlist that feels something like a greatest hits album. There’s a striking sense of identity and confidence to Underwood’s delivery, and his songwriting is easily captivating and often familiar enough that the songs feel like slept on classics.
An awesomely intentional, hard-hitting and brilliantly authentic rock track, from a band who we should all be grateful are making their way back on to the world’s music scenes.
Microcosms stylishly tumble through the speakers for this single, showcasing chaotic indie rock riffs and a grunge-like leading voice that sees the track slowly but surely gather strength and momentum as it fills the room.
“The live scene in Liverpool is fantastic. It’s probably as good as Nashville, you can go out most nights and see real original songs by talented people that would have been signed up if it was the early 70’s.”
Troy Petty has evidently mastered being musically true to his own artistic and expressive needs, offering up an album of original songs that pour through with absolute creative freedom yet a clear passion for and connection to the very process of writing and performing.
Remorsefully Numb as a band undoubtedly present an impressive level of unity – the sections of the song offer notable complexity in terms of musicianship & performance, reinforcing the fact that a festival or bigger indie stage would be the perfect setting in which to witness the song & the band in real time.
Songs like Pale Blue are the sort that have been so meticulously and considerately crafted, that the track in full, and indeed repeated a fair few times afterwards, is where the real magic of the experience lies.
Whether you were once swept away on the raw rock passion of bands like Pearl Jam or Audioslave, or you’re simply a contemporary rock fan who craves that fine balance between melody & grit – the opening moments of Seventh Sea, and indeed the rest of the track as it entrancingly pours through, make for a quickly engaging, increasingly addictive audio experience.