Jill has a sweet, bluesy voice, delivering the attention-seeking lyric with an authentic, slightly clipped enunciation that recalls the 1920s, all flappers and Lindy Hops! It displays wit, confidence and imagination in spades – and I hope lots of people get to hear this catchy little number, Because Jill Sargeant’s done a great job with it.
Pop
“I wrote it because, to be honest I was feeling that way – which everyone can relate to at times in this day and age. We are all more connected then ever on social media, yet that somehow creates loneliness.”
The melodies that Megan delivers capture that breathlessness, cleverly using her breathing as a part of the instrumentation. The way she wraps her delivery around the sweet anticipation and nervousness as she hits the big notes on the chorus is tantalising and exciting indeed. Faster made my heart beat faster. It’s a brilliant piece that deserves your attention.
The whole thing makes for an artistically brilliant and clearly well thought-out production, pop-art at its finest. A strong and impressive introduction to both Folded Dragons and the artist and mind that is SoRi.
“I wasn’t a person who was born being a good performer. It took me a long time to get comfortable playing on stage and creating energy between me and the crowd.”
Exploring themes of obsession and jealousy (and over far too quick, in my opinion), Mine feels modern and personal and would grace any angsty playlist going. The beautifully-recorded vocals and intricate backing track do a fabulous job of exploring how overwhelming obsession can feel. Love it. It’s a gloopy delight, with a magic vocal.
A pristine and professional soundscape creates a trip-hop-like ambiance, a peaceful moment of escapism. Alongside this you get Kenni’s seemingly free-style vocal melody, meandering through the layers, offering personal insight & contemporary references that often feel well-rooted in modern hip hop.
Rock Bottom has, at its heart, an epic sensibility that is screaming out to be synced to a film – probably over the end credits. Yep, it’s that good. It might be a slightly quirky take on indie pop, but that’s exactly what indie pop should be. This track is essential listening.
It sounds like an intentional anthem to me: full of aspirational language, flourishes of gospel ad-libbing and a choir of supporting voices adding warming colours that bloom into the arrangement as the piece progresses. Come on, America – you’d better do as it says.
The beautiful vocals on California Sunset mark Art Auré out as an exceptional and singular vocalist. The vocal range on display is highly accomplished, ranging from surprisingly low and intimate to fresh and impassioned, and the different vibrato speeds and incredibly elastic control are also extremely impressive.
Channeling Avici-style vibes, Take Me Back is an uptempo adrenalin-soaked rush through the sort of nostalgia-soaked lyrical adventures that have done very good business in recent years.
From a distance, there’s a simplicity to the sound – an easy pop groove that lights up the room as it should. The closer you get though, the more intently you listen, the taller those personal details and that truthfulness stand amidst the ambiance.