Vidal’s return this month brings the beautifully organic, guitar-led swagger of blues, alongside a hypnotic trip-hop vibe and a lyrical centre that’s quick to connect.
Rebecca Cullen
Originally intended or inspired by a reaction to all things Brexit, Paul Alty’s new collection has ended up poignantly underlining much of what the world is struggling with right now – and simultaneously delivering a worthy escape from it.
Aching simplicity guides listeners through this blissfully expressive yet short EP of originals from composer Vincent Krennerich.
Clearly taking tips from contemporary hip hop but more notably rolling with a decidedly creative edge, Joseph Q’s Smartphone effectively meanders throughout fresh territory.
Olya’s Euro-Pop Dance track Hollywood pays tribute to the infamous land of entertainers and big dreams.
“I wish that music was all about the songs and not about the artist. Music should be judged alone on its inherent quality (or lack of) and not as a part of a greater story. Personally I can listen to an artist for years without having any interest in knowing more about them.”
I think people turn to heavier music to find truth, understanding and to be a part of something real. Rock and metal music usually tends to be honest and upfront about issues and situations and circumstances, instead of being about “what do people want to hear?”
Blending elements of Slipknot, Korn & even the less heavier artists of a simpler time, the sound meanders in a creatively unique fashion, crafting its own clear identity along the way.
Driving with the soulful swagger of Americana, Anna Farquhar’s Boy is an addictively rhythmic & satisfying new single, which pours into the room with sublime production & passion united amidst a powerful hit of impressive songwriting.
This is a phenomenal album, stacked full with original compositions that are each as enthralling and original as the last. Al Gilliom is categorically a musician and artist worth knowing about.
There’s light at the end of the tunnel, and this song, when played at volume, helps really bring that message home.
Musically beautiful, conceptually fascinating and often notably provocative. The wordplay and the framing of ideas is consistently impressive, occasionally phenomenal.