Cinematic mastery designed to humbly envelop listeners in a progressively intense, slowly but surely evolving blanket of sound and feeling – Hungarian composer and producer Zságer Balázs captures the essence of immersive audio, with the provocative, powerful and deeply moving single Esik Eső.
Rebecca Cullen
bert. balances scorn and even cursing with clear optimism and poetic colour, and the result is a strangely intoxicating, simple yet striking song, which again proves a memorable highlight from this uniquely compelling album.
If ever the word original should feel completely at ease alongside an independent artist, bert. deserves that title, and the songwriting is wonderful to match.
Massive blues-rock vibes and a striking long-form riff are quick to appeal – the classic stomp of a rhythm and subsequent soulful vocal of Sleepwalker’s latest single Burn connect beautifully.
Created in direct response to the consistent rise of conflict and hate in the USA, Big Bus Dream releases the evocative protest single AMERICAN – an organic soft-rock arrangement and song reflecting on times past and the subsequent downward spiral of division and violence.
Upanishads – a Hindu reference, a sacred text, presented here as a free flowing Hip Hop single. There’s a ton of depth to Upanishads, an plethora of striking scenes and metaphors to unpack as we roll through, and meanwhile the music seeks to calm the soul – opposing forces luring you in deeper and deeper as the walls of these thoughts immerse you.
Reigniting the anthemic energy of rap and rock with a distorted twist of contemporary observation – one half of LA’s Dual Diagnosis gears up to launch two brand new singles from his upcoming sophomore album, and in the process injects a fearless performative and production edge into the modern scene.
Ultra Feminist isn’t purely a call out to all feminists, but a personal ode to an artist’s own liberation from a tumultuous and isolating past. It’s a heavy topic, but the song has a certain lightness and positivity to it, which works well to juxtapose the issues within. In other words – If you like the title; you’ll love the song.
Impressively interconnected with its own conceptual implications, A Passing Memory breathes life into the room for only a few moments – a passing memory encapsulated in the delicacy, the vintage crackle, the unfinished nature of the phrase.
It’s a bittersweet contemplation, and the song has been crafted quite perfectly – a catchy hit that calls out with passion and power on behalf of the dreams we fail to achieve; and those we can still go after. Somewhat brave but respectable in its unadulterated honesty – No Mo Money is an absolute hit, and faultlessly delivered.
Unplugged folk warmth from a handful of stringed instruments leads us into the vocal quickness and character of Tague Wilkins – a songwriting storyteller with a unique tone of voice.
Originality and intrigue pave the way for a fascinating and wholly immersive listen. Lithuanian-Canadian multi-instrumentalist and producer Aistis writes and performs with precision and mystique, for the wonderfully engaging, unique yet satisfying single Plateau Botticelli.
Naturally an earworm but also non-intrusive and quite creatively refreshing in everything from production to performance, If u don’t mind appears to almost ignore the sound of the current mainstream in favour of Mikyla Cara’s own artistic identity and musical preference. That authenticity is key, and the humility and heart of If u don’t mind shine brightly in light of it.