Jada Raquel re-lights a classic RnB style and sound with this single. Fusing a colourful and quickly recognizable soundscape and leading riff, with a freely meandering, soulful and flawless vocal line, the song rides tall on the strength of its own musicality.
Pop
Bringing through a clear love for life and for hip hop in general, Hey Whatsup Hello is an easy anthem for the summer, loaded with good vibes, quirky rhymes, and a consistently rhythmic flow that works well on top of the natural bounce of the beat.
Leading with a simple, calming backdrop, and a flawless vocal, the two-minute beauty that is this cover rides tall on the brightness of its own soulful melodic delivery and the detail and structure of the soundscape.
Beginning with an intriguing hit of poetry, followed shortly afterwards by a mildly haunting, slightly Gypsy-jazz like rhythm and soundscape, the song emerges with a decidedly traditional folk aura.
Collaborating to impressive results with producer Joe Crotty, KatMariexx showcases a smooth and sultry leading voice on this melodically satisfying new dance-pop offering.
ARY/Orchard/Sony music artist Andrew Young leads with a fine fusion of vintage RnB vibes and contemporary dance-pop with this latest single.
Watch Out For Me is a great song, with a mighty hook. The whole thing is familiar yet refreshing, skillfully crafted and beautifully, stylishly performed. An incredibly impressive debut, with an equally intriguing, dark yet confident accompanying video.
Always one to bend and even break the rules in music, Like Lions pushes through the confines of genre and style, leading with a concept and an inherent desire to craft something unique and meaningful. U Got Me makes for a strong testament to precisely these qualities.
While the instrumental set-up feels reminiscent of the likes of Portishead or The xx, the vocal line adds a level of volume and intensity. It’s a powerful performance, one that takes the song from quietly compelling to incredibly emotive and decidedly uplifting.
Stephon Foster’s writing throughout this project is decidedly emotional, beginning with the unmistakable Boy, I Quit, delicacy and regret intertwine as Foster pours truth and soul into the process. The finish, production-wise, really lets the intricate nature of these songs stand as tall as they possibly can.
A short collection of covers such as this really reinforces the fact that Andrew Farstar is easily the right choice for anyone looking for a singer with a genuine and deep-running passion for performance and music; regardless of genre or era or style.
Former US Marine Jayq the Legend offers up a summer classic with this fine fusion of pop, hip hop and alternative dance-hall rhythms.