Creative production and a genre-blending, conceptual introduction lay bare the No Bondom voice and scene-setting ability with ease as Geronimo, The EP kicks into gear.
Hip Hop
Retro synths and home-made rhythms back up an immediate hit of character as Risky4real kicks off his brand new EP with the bold and story-telling Trinity.
Uniquely synth-kissed production meets with addictive afrobeat rhythms and a clear level of vocal identity – introducing a stylishly recognisable Love Letter, from Phoenix artist Dejxh.
Marsh utilises profoundly intelligent bars, complex poetry & observations that feel genuinely new & appear to roam the very edges of hardship in the all but forgotten corners of society.
Blending Homeboy Sandman collectedness & calm with a certain organic pop simplicity reminiscent of Just Jack or similar alt-pop artists from eras past.
A brilliant vocalist, with a handful of engaging tracks already on the scene. Well worth exploring.
Dreamy ambiances meet with heavy hip hop rhythms and intense bass throughout a series of releases from Long Island artist Esco Andretti.
Electronic weight and clear creativity carve out a uniquely interesting soundscape – within which HezaGenius kicks up with an energising, poetic and smartly framed rap style.
Leading with immediate appeal for blending a decidedly colourful soundscape with a hip hop hook that’s quickly anthem-like in its doubled vocals and melodic embrace – Lil Baba kicks of My Year in a boldly creative way.
Lyrically fresh, reflective and honest but still smartly tuned in with what works on a modern level, Kayo Da Beast unites effective, memorable song-writing, with unusual metaphors and a clearly developing story-line.
Reverb-kissed guitar work and heavier trap rhythms unite for this emotive yet bold new single from a contemporary-styled Hephaeus and gonedark.
Songwriter, producer and devotedly conscious rapper Naveed Razzak – known on the scene as Navigator – leads with professionalism, passion and a strong work ethic throughout a handful of original releases.