Love Ghost are a young band who already seem to have mastered the art of writing a great song. Their latest release, Mr Blue, is one that skillfully fuses addictive riffs, high energy, and superb melodies – resulting in a song that feels fresh yet stylistically rooted in the rock sounds of a simpler time.
Grunge
“The March” takes the best parts of grunge and garage rock and mixes them with 70’s prog/psych-rock to create a record that is hallucinatory in nature, but lucid in its experience.
A stylish fusion of classic rock theatrics and grunge-inspired indie fuzz make up the audio experience that is Neil Harvey. Complete with a complex and captivating story-line, the song grows more and more fascinating as it progresses.
The song progresses and evolves much like a short film – the intensity rises, the passion builds and subsequently explodes as the band reach their emotional peaks; united in this tightly packed moment of well-organised musical mayhem.
An increasingly impressive band. The live show is undoubtedly where things would really connect, but in terms of seeking out that album or playlist within which you can immerse yourself and feel involved in something, perhaps even understood; this collection is everything you could hope for.
Even with the eclectic and unpredictable nature of the music on this project, the lyrics are by far the most compelling and fascinating thread throughout it. Prepare, if you can, to feel heart broken, enlightened, uplifted, calmed, and concerned – all within the hour.
Creatively walking multiple lines between raw indie rock and dreamlike shoe-gaze or grunge, James Dean Death Machine presents a notably live sound on this album Leave a Pretty Corpse – inviting the listener to stand front and centre as this rain of bass-lines, beats and vocal grit pours down before them.
The band tick so many boxes when it comes to music as both freedom from turmoil and a blanket of understanding and acceptance.
Love lifts us up in often unpredictable ways, and this album is a testament to that honor. Undoubtedly one of the most eclectic and enjoyable releases of Imbred’s to date.
Let’s start this off with a big thank you to Thomas Resurrection for keeping the gravel and grit of soulful blues-rock alive. DIRTY is one of a few recent releases that present his sound in a memorable yet partly nostalgic manner.
There hasn’t been a track yet from this creative that hasn’t fascinated me, or that hasn’t given off a careful fusion of so many elements that you just don’t seem to come across anymore these days. Absolutely a collection worth exploring.
Imbred’s return this month brings perhaps an even harder hitting display of classic grunge than anything from before. The songs offer a string of single word titles & ideas that provoke a certain level of thinking; personal reflection, consideration of mental health, feelings of isolation & the little things we turn to for relief.