A fine short collection – unique in its creative freedom yet rhythmically soothing enough to simply let play; evidently on repeat. There are certain traits within each piece that offer a clear level of individuality.
Composer
The artist name encapsulates many of the feelings incorporated into the EP. The struggle is clearly very real, but the work that came from it is quite magnificent – often the way things tend to go in art & music.
Pall Simon has woven multiple layers of synths & sounds, fusing the natural world with something a little more dreamlike or electronic. There are plenty of audiences out there who thrive under the blanket of this kind of thoughtfully crafted EDM.
The EP slowly but surely washes over you in a manner that – if you let it – completely soothes the soul. It paints over your worries & guides you through limitless space; filled with ideas & possibilities.
Trouble in London is something of a creative audio masterpiece. Precisely the kind of composition that pushes the limits in a pure & naturally emotive way.
You can hear the passion and soul of the moment, the instance of individuality that created this performance and composition. You can appreciate the artistry of it at the same time as being grateful for the strength and escapism it offers.
I Found Autumn is an instrumental, neo-classical collection that moves delicately between that which is calming & that which is utterly breath-taking. An absolute must for music lovers across genres.
“Every aspect of my life is somehow connected to my art or is art in itself; the way I maneuver through a capitalist society, the way I deal with obstacles, problems, losses & successes.”
If you’re looking to feel uplifted, loaded with a sense of confidence and calm united, of possibility, this short but sincere and seductive EP Existence has what it takes to get you there.
Brilliantly referred to as neuromantic chillwave for the postapocalypse – a calming array of soundscapes but with notable levels of unpredictable detail & grit. Either first thing in the morning, or last thing at night, is where this album really stands tall.
The concept & the leading voice remain prominent, calm but steady & always familiar; the essential threads that make this what it is. Elsewhere though, the music builds & builds, moving from mild to immense & dramatic in a few short minutes.
Ignatov underlines a varied, perhaps limitless & creative side to his work more & more so as this album progresses. He keeps his audience on their toes throughout. The ultimate, musically immaculate offering of escapism.