The simplicity of the composition can either seem heavily juxtaposed with, or completely at one with, the very idea of infinity.
Singles
Containing the slightly punky spirit of bands like Dr. Feelgood, it’s well produced, performed and presented – and hooky. It deserves to do well.
Awe hits so many sweet spots during its run time, it’s genuinely difficult not to keep hitting repeat as a reviewer. This makes me think real attention has been paid to the arrangement – there’s never a dull moment – and right up to the end, new colours are used to draw us in sonically. Great stuff!
Lonely builds and bubbles up in a perfectly emotional manner, right the way through until its ultimate, beautifully chaotic breaking point. A powerful and timeless track that brings together unquestionable purity and pain from the depths of the human experience.
It’s a dizzying and somewhat psychedelic experience, building to a schizophrenic whirlwind of deliberate dissonance and beauty that’s mashed together before being led to a marching string finale. It’s a singular listening experience that I‘d whole-heartedly recommend, with an extraordinary accompanying video that provides a complementary, slightly unnerving experience. Try both!
In a world full of volume and unnecessary quirks designed to grab attention, songwriting and smooth, pure performances such as this have the ability to stand out and make a difference thanks to their realness and the clear talent at their core. Ride For You is a humble and beautiful release, a moment well captured.
The well-traveled and musically eclectic artist that is Jonathan Anderson, better known lately as The Tiny Violinist, emerges as perhaps one of the most hard-working and passionate solo instrumentalists of 2019.
Being a live performance recording, Deep Water has just enough rough edges to re-assure the listener that the talent on show is for real, and actually is playing live. Musically, the pre-chorus chords echo Eminem’s My Name Is, but influences aside, Elta Wave are exploring a soulful pop that has an indie edge and a nod to the 70s – courtesy of sound choices.
Jill has a sweet, bluesy voice, delivering the attention-seeking lyric with an authentic, slightly clipped enunciation that recalls the 1920s, all flappers and Lindy Hops! It displays wit, confidence and imagination in spades – and I hope lots of people get to hear this catchy little number, Because Jill Sargeant’s done a great job with it.
A colourful and fairly classic hip hop vibe meets with an uplifting and melodic soundscape, decidedly and intentionally retro, reminiscent of the nineties, and creating precisely those beach-side vibes and the rhythmic embrace designed to get you feeling good.
The melodies that Megan delivers capture that breathlessness, cleverly using her breathing as a part of the instrumentation. The way she wraps her delivery around the sweet anticipation and nervousness as she hits the big notes on the chorus is tantalising and exciting indeed. Faster made my heart beat faster. It’s a brilliant piece that deserves your attention.
The whole thing makes for an artistically brilliant and clearly well thought-out production, pop-art at its finest. A strong and impressive introduction to both Folded Dragons and the artist and mind that is SoRi.