Familiar yet fresh for its heavy metal backdrop and no-f*cks-given lyrical presence, the release showcases the confidence and self-assured intensity of the artist in a way that’s impossible to ignore.
Rebecca Cullen
An absolute anthem, somewhat grungy in its vocal placement but fascinating by lyrical storyline and intriguing for its clear sense of identity and originality within the current scene.
Celebrating spontaneity with good vibes in strong supply, Philippines-based Last Song Bea deliver almost five-minutes of colourful, organic pop-rock in the form of a catchy and stylish Tara!
Great acoustic guitar-work quickly soothes the soul – the live sound that the band so faultlessly deliver works gorgeously in this context.
Bringing professional visuals to the stage, of a retro set-up and contemporary dance-fusion performance, producer Dobie and singer Xavier Clayton join forces once more – presenting the soulful classic that is Again.
The work of a songwriter extraordinaire, whom you’d be forgiven for considering as one of the professionals of a simpler time; hiding under some new AKA for authenticity or a fresh audience.
Great production, gorgeous vocals, genuine heart in both the soundscape and delivery. An easy hit to lift the mood during this latter half of the year.
Bold by design, fast-paced and colourful, vocally distant yet intense in pace and flow, the track blends the confidence of hip hop with the organic embrace of a live-band.
Catchy yet contemplative to a bold and poignant degree – the perfect closing track for the album, and a fine introduction to a rapper with both talent and intelligence at the forefront of his work.
Lo-fi good vibes and smooth yet confident vocals craft an arena of consistently relevant ideas – rhythmic hip hop of precise and hypnotic origins.
Roddy. B paints an image of heartache and uncertainty with a decidedly vulnerable yet stylish Ultralight.
A stylish bit of tech designed to react to and translate the movements of your body into studio-ready audio clips.