For Everyone I Ever Loved is a collection of soulful acoustic ballads and folk-country anthems, all built around thoughtful sentiments, appreciative scenes, memories, poems, and deeply stirring melodies. In his own words, “This one took me 77 years to find. ‘For Everyone I Ever Loved’ is what I needed to say, before I move on to the next adventure.”
Rebecca Cullen
Funky electro-bass and old-school floor filler refrains – an album loaded with immersive, dance-ready gems, elevated by catchy hooks, and a concept that naturally intrigues. Mega Turbo draw focus to the snappy writing and electricity of their sound, with the rather unforgettable Sometimes People Just Explode.
Anthemic sports-ready hip hop tracks with slick production, heavy and distinct beats, and crisp, confident vocal hooks. RuleOne Studios break through the noise of the modern scene, with the high-vibrancy and charm of Smoke No Fear.
When actual talent hits, the perfect meeting of a great song and unignorable artistic value, you really know about it. The sound ignites something rare within, capturing a moment of exciting originality and nostalgic roots at the very same time. Something genuine, interesting, catchy, and loaded with genuine ability. Stephània could well be the artist … Continued
Explosive rock and metal blending hard distortion, power chords, fast riffs and melodic vocals – eighties influenced duo Dan Wande and Tomas Ylivainio deliver fierce metal escapism that’s both organic and immersive at its peak.
“Working in public healthcare is a huge privilege. You’re exposed to the full spectrum of human emotion and experience, and that needs an outlet. For me, songwriting is the most natural way to process and unpack those experiences.”
With Zkrrt’s previous albums, there was something of a new-starter vibe to many of the pop-like arrangements and songwriting transitions. In my view, this latest project has completely overcome that, showcasing a defiant attention to detail and mood that’s intoxicating from one track to the next. The original style and inspiration remains, the reasons for making music stand tall, but the focus, the understanding, and the willingness to move an audience, have only let the style and sound grow stronger and more alluring.
Something brief, beautiful, and brilliantly intense. Two minutes and thirty in full, an audio exploration that carefully and concisely evolves from spoken, meditative ambience, into the full-throttle alternative depth and darkness of dubstep. SuDs and Maya Rose collaborative rather seamlessly, for the provocative and mighty Resurgence.
Sensational indie jams, slick guitar playing and soulful grooves – summer-night saxophone and a generally impressive fusion of excitement and colourful calm. Ununk delivers the goods in strong supply, with an instrumental playlist designed to both uplift and entertain audiences, as well as show off some incredibly handy-seeming musicianship at the helm.
Building from a purely acoustic and nearly whispered introduction, Monsters employs Frida Mann’s unmistakable vocals, and slowly but surely evolves through a story of anger, resentment, confinement. The voice is captivating, and later near-euphoric in its outcry, and as such, this conceptual journey is incredibly passionate, in both vocal and instrumental delivery.
Having created two new albums and a multitude of tracks in recent months, the work ethic and energy of luv as an artist and producer is taking the indie space by storm. We caught an interview with luv, to coincide with the released of his latest album Feng Shui. We talk artistic evolution, influences, live performance, and maintaining integrity as his audience grows.
Dreamy lo-fi indie guitar tones and honest vocals guide us into something ambient but organic, as musician and songwriter Charlie Bulmer introduces the authenticity and passion of his music, with worn out sweater.