Indie-pop songwriter and artist NIVIRA blends the dynamic and colourful backdrops of modern pop music, with confident and joyful vocals, and the juxtaposed depth of profoundly vulnerable but essentially hopeful lyrics.
Music
‘A journey through betrayal and healing’ is precisely what we can experience with this song, and it suits the listener’s needs, thanks to the deeply personal but still poetically vague lyrics that can naturally be made your own.
Creatively unusual, strangely enthralling music – a rare trait to stumble upon, in this case balancing an intense organic drum pace with dreamy waves of shoegaze guitars and indie bass; something like manic weight and ethereal melodies uniting across a sub-two-minute plain of expression.
Dreamy guitar play, smooth vibes, live drums and enchanting harmonies – Captain Highside sets the vibe beautifully, with the organic and impassioned I Can’t See.
Lighting up the space with euphoric afro rhythms and gentle vocal melodies, Nigerian-born artist Jaylon, more recently based out of an ever-eclectic and creative Bristol, delivers an uplifting six-track EP that’s both stylistically relevant and artistically fresh.
This fusion of the upbeat and the delicate is key to this project, and continues throughout the more EDM-driven pace of Pass The Beach. If you want the music to energise you, turn it up loud, and it will. Conversely, if you need to relax or gather your thoughts, the familiarity of the rhythm and the essential pulse of the music provides the perfect ambiance.
Heavy thrash metal with a fine balancing of the creative freedom to play and the conceptual, atmospheric intention of a bigger project – Ankoth delivers a deadly force of intense metal pace and weight, with the unmistakable Danu’s Decline.
Original music fearlessly blending genres, for an eclectic twelve-track album that’s consistently shifting – Eternity the artist lights up the space with the heavy bass and soul-funk of You Are My Groove, before we head further into the depths of Find Me.
Funky guitar rhythms and riding bass lines, a female vocal distantly mixed for a kind of pop-rock meets shoegaze recording aura, later evolving through something of a traditional folk to rock fusion of styles – Lady King & The Aces roll with the creative punches, for Smooth Sailing.
Originally penned for a stage play exploring a 1960’s folk musician who falls in love with an actress, Butterskies makes note of Martin Leroux’s influences amidst James Taylor and Joni Mitchell, following the singer’s equally vulnerable and evocative voice, through a slowly evolving soundscape of subtle additional strings and peaceful summer imagery.
A breath of fresh air – organic and heartfelt, intimate and unplugged; the authentic sound of folk music and storytelling with purpose, pain, and possibility all scattered throughout its makeup. Roy’s Orb present a beautifully nostalgic, stylistically simple yet conceptually complex account of the human experience, with Phosphate.
What begins as a mellow acoustic number, soon evolves through moments of near heavy metal, progressive rock, and even electronic hard-rock. 3mind Blight is the genre, essentially, and these thoughts and creative outbursts form a melodic and enchanting tapestry of fearless revelation and vulnerability.