From the climate to social justice, history, health, war, refugees, pointlessness, by way of undeniable Gypsy-folk prowess & lashings of addictive, memorable melodies.
There’s melancholy, sure, and wistfulness and tunefulness and I’ve already talked about the earnestness and authenticity on display. It’s a regular smorgasbord of thought, narrative storytelling and emoting and it doesn’t hang about.
In many ways, Francis Bowie is a master chameleon, a champion for eclecticism, yet without sacrificing his sense of self at any point; far from it.
“I was pretty terrible at playing famous songs, so I had to make up my own – that way no one could say I was playing them wrong.”
Since 2006, Fynbo has released five original albums, an achievement that this latest project speaks volumes on behalf of. That level of skill, knowledge and authenticity can’t be faked, and generally takes a lot of dedication to reach.
Vinyl Floor manage to entertain and impress on this project, likely bringing you to listen more than just the one time – turning to these songs when the sound of modern radio just doesn’t cut it.
Stumble upon Increst & be reassured that there are still bands out there pushing for that nostalgic, hard-hitting, emotional & gritty rock sound – the likes of which have felt so out of reach since the days of Pearl Jam & Audioslave.
Project Sapiens are a hard rock band, without question – there’s weight to their music, intensity & pace. It’s energizing, it fills the room with volume, but more than this – there’s skill to the arrangement & the performances, and there’s a hell of a lot of heart & depth to the writing.
There are numerous occasions during the listening experience when it feels necessary to point out how perfectly relevant, inspiring & uplifting the music is. Every song adds to the optimism & vibrancy of the completed release.
This is song writing at it’s most experimental, exuding freedom, and expression of whatever it is the artist needs to express.