“I’d describe my music as jazz, but in the widest definition of the word. I’m allowing myself to constantly explore different genres, including ambient music, funk, electronic classical/orchestral and pretty much everything in between. This includes music for film, TV and video games.”
Soundscape
Instantly capturing a sense of joyful possibility, composer Konstantin Dobriak delivers a string-led arrangement of rising warmth and vibrancy, for the inspiring and aptly-fantastical Dreams.
Featuring a series of episodes, with narrated story-telling and imagery, alongside pristine soundscape design for an ambient and immersive listen, The Spirit Of Toronto promises a cinematic journey through both the depths of darkness and the beauty of light.
Creating from a place of equal parts contemplation, heart, and definitive skill, composer and producer Niclas Tamas completes his highly-evocative album The Lullabies for explorers of the permanent extension of life beyond Earth.
“Always push your ideas a little bit beyond the obvious and see what’s there.”
Creatively uniting the immersive ambiance of electronic sound-design with a freshly meandering, diary-like vocal outpouring of intimate and revealing sentiments.
If vast and profound escapism is the required artform, Forest Robots, this album in particular, has it mastered.
There’s a whole new realm to be experienced as you revisit the ins and outs of these Portraits as the artist crafts them before you. Beautiful work, from a composer with a broadly unique approach to creativity.
“It is a bygone wish that proper precautions were taken, as all events today and forever, were preventable. It is a reminder to be prepared for the future as that is all we can do.”
The way the music slowly but surely sweeps you off your feet is a finely tuned craft that’s been absolutely mastered here.
Always a master of capturing the precise moment and energy implied by a composition’s title, Ltronnika’s latest offering becomes something else entirely once you let the music rain down amidst thoughts of the Island Breeze that inspired it.
“The last thing I would ever want to do is write soul-less music – the track must take the listener somewhere. It doesn’t have to be a big rollercoaster of a ride, but even if it just transports them somewhere else for a few minutes or evokes an emotional connection, then in my mind, job’s done.”