Emily Shirley adopts a Bowie-esque exploratory, inquisitive songwriting and composition style with this uniquely ambient, interesting new single.
Songwriter
What Smith does is redirect our understanding, and call out to those who are older and have experienced more of life and the world, to let them know they are seen, and they matter – more than ever before.
Come Home explores precisely what the title implies – many of us have lost our sense of home, and with it, perhaps our sense of self. The more intently you listen, the more strongly the ideas connect & even enlighten.
Creatively blending contemporary production with a ukulele lead and notably characterful vocals, Kaylee Patterson hits the indie scene with style and intention.
A brilliant collection – well worth the wait, and a rare example of only the very best songs being included in a final release. No filler, nothing that falls below par – a summer playlist that keeps on giving.
It’s a fascinating song, poetic and vague enough to intrigue, and indeed to be made your own – not so vague that it doesn’t have a clear message and statement to make.
Ade calls out for a second chance, driving with a softly seductive, genuine vocal line, and a likeable sense of hopefulness that shines brightly throughout.
Yurby’s vocal line & lyrical backbone are incredibly well united with the soundscape every step of the way, so not only is the music a pleasure to vibe to, but the writing & delivery provoke a deeper level of thought & feeling.
This is a stunning musical journey through a tale that is sadly at least partially familiar for quite a number of people.
Michæl Augustine has created a supremely compelling audio journey with this release.
Matt Clark’s third single release is one that effectively raises the bar and injects a whole new level of colour and passion into the indie pop world.
Introducing himself on a defiant high, Noel Johnson (NDJ) offers up this near-seven-minute pop-rock song of poetic depth and personal reflection.