Lion Tribe manages to be both the catchy, self-empowering anthem that contemporary pop needs, and a notably alternative, artistically crafted indie hit.
Hip Hop
Introducing a rapper and artist with lashings of confidence and creativity to gift the scene – Zadquiel marches to the beat of his own drum throughout a chaotic and captivating London Style.
Doug St. Amand leads with absolute purpose and story throughout a deeply moving, poignant and powerful Addicted.
Negus Deante goes hard and heavy throughout a fast-paced, mighty and memorable Van Exel.
Italian artist and rapper LEON takes on the confidence and grit of hip hop with a bass-heavy deep dive into British living and fast-paced, creative freedom – introducing the uniquely intense Cin cin.
Utilising contrast well, Tony Stark leans back and forth between the delicacy of a drum-free, melodic chorus, and the absolute groove of the verses with their story-telling and presence.
Familiar yet fresh for its heavy metal backdrop and no-f*cks-given lyrical presence, the release showcases the confidence and self-assured intensity of the artist in a way that’s impossible to ignore.
Bold by design, fast-paced and colourful, vocally distant yet intense in pace and flow, the track blends the confidence of hip hop with the organic embrace of a live-band.
Catchy yet contemplative to a bold and poignant degree – the perfect closing track for the album, and a fine introduction to a rapper with both talent and intelligence at the forefront of his work.
Lo-fi good vibes and smooth yet confident vocals craft an arena of consistently relevant ideas – rhythmic hip hop of precise and hypnotic origins.
Roddy. B paints an image of heartache and uncertainty with a decidedly vulnerable yet stylish Ultralight.
Loaded with good vibes, crisp and faultlessly skilful production that brings through the best of the groove and the heart of the mood in every case, the project highlights the absolute professionalism and focus at the centre of Blvff’s limitless work ethic.