Every once in a while, an original song comes along that takes you to such a new place of contemplation and feeling, that it becomes close to impossible to analyse or explain the reasons behind it.
Electro Pop
Lush production unites electro-pop flavours with organic guitar, as Lālo Parade delivers an intimate and colourful ode to moving on.
“I have always been ambitious, but my goals have changed. Right now, my allegiance is to the story. I have to get this right.”
Introducing a wholly immersive, addictively heartfelt and refreshing sound – Sirens deliver an unrivaled wash of intention and depth, for Sharon Tate.
Intricate and dreamy trip hop production meets unexpectedly with paired vocals of emotive and melodic intentions – And Actually lay down an immersive and beautiful ambiance, for Somehow.
Starting with a string arrangement initially as ominous as the project’s retro artwork, Bad Bubble ultimately delivers a complex, unpredictable and captivating audio experience, for Underscore.
A strong return to the unexpected yet satisfying and authentically honest traits of Christopher Dallman’s music; those that forever make it so uniquely appealing
The unmistakable synth-pop and electronic-rock edge and embrace of MELØ returns this year on a seductive high, for the dark yet charming King Of Nothing.
Imagine something like electro-pop, with an experimental edge of creative composition; and a profound lyrical core.
Capital 4 drive with organic dance-pop layers and intimate vocals, for a long-form melodic journey that ultimately resolves with a simple, catchy and celebratory hook.
Aptly-timed to kick off the new year with retro good vibes and an inescapably catchy tune, Doc Jazz returns with the infectious and nostalgic yet contemporary-themed Friendzone.
Electronic optimism embraces from the outset, as French creative 48 Ocean collaborates with Equateur, for the brilliantly uplifting 22:22.