The sound a little unorthodox, and this comes to be a known trait of Aveli Amun – creative freedom, concept first, expression utilising whatever’s needed to make the point and set the mood.
Alternative
There’s something to be said for striking a fine balance between a naturally curious & complex writing style, and the simple weight of satisfying, hard-hitting hip hop & musicality on the whole. Alternate Realities strikes that balance faultlessly.
This album of cover songs takes a decidedly unique approach to the dedicative art form, and sees artist Jeralyn Glass lead with the calming vibrational frequencies of crystal alchemy singing bowls.
There’s something gentle yet loud about their sound and style – it’s passionate yet natural, it flows, and it makes for a refreshing, unpretentious and rather classic, even nostalgic listen right now.
Heavy electronic production meets with an equally heavy bass-line, beat and vocal backbone for this industrial and intense new single from Genesix.
Not merely a welcomed reminder of the live scenes we all know and miss, but a two-birds-one-stone introduction to a unique artist and band with a superb set of songs to their set.
Really well done, a refreshingly original artist with a thoughtful way of framing ideas and arrangements.
This brand new album from Makis is a broadly eclectic and colorful collection of Australian songwriting – classic hits re-imagined under a fresh creative light; and it’s a pleasure to listen through.
I may have mentioned Deerhoof as a possible influence in the past – it’s a reference that emerges again, as this act genuinely pave their own way creatively, and approach music in a notably uninhibited, carefree fashion.
Fresh from the upcoming mixtape inkytunes III, back then is a chaotic yet emotive soundscape and song, featuring soulful vocals and an overall rising sense of anticipation and energy that increasingly envelops you.
Producer and artist Brent Walker, founder of the solo project Fearless Union, has created a conceptual EP fit to accompany the deepest needs for escapism and contemplation alike.
“I don’t have a high amount peak of listeners on release-day. They come to my music over the year. That means to me I don’t have to put too much effort into this so called ‘pre-release-promotion’. The real work is coming when it’s out.”