Whole-heartedly encapsulating the essence of creative freedom, producer and artist Kinck explores the depths of versatility and unlimited design, with the heavy fuzz, infectious rhythm, and conceptual core of Play With It.
Alt Pop
Creatively blending evocative dance piano chords with organic sweeping rhythms and funky vocals, producer and artist Deep Transit carves out a unique lane, with Stand Up.
Introducing a visual and audio journey that’s far more of a work of art than simply a song. Stephanie Schneiderman collaborates with an exclusively female cast, for the melodically haunting, boldly honest and beautifully poetic new single Cry With Me.
“i
In this day and age where our leaders are acting like little children on the school playground it’s hard not to ask the question!!! I believe they have lost sight of what their job really is and that’s to provide a safe world for our children to grow up in.”
Ambient mellow dance production surrounds the impassioned vocals of producer and artist David V Golden, as the original single I Gotta Be Me emerges remastered and refreshed for 2024.
London songwriter and artist Rebekka Louise pours her heart and vulnerabilities into the creative process, with the fearlessly revealing, intimate and impassioned new album Shame Is An Old Friend.
Ultimately committed to its sense of living life in the fast lane, LaFerrari is all about escapism, and the production, arrangement, songwriting and performance all work to reinforce that.
Gothic Folk and Electronic Pop artist Bella Kelly continues to drive with creative freedom and originality. The LA independent recently launched her brand new single and video Felony, and the track leads with a fearlessly dark and sultry electro vibe.
Pushing the creative boat out far beyond the view of expectation, Brutu Music and Dobie collaborate with singer and artist LaWerra, for a single that’s frankly impossible to pigeon-hole.
The writing feels genuine, the melody intoxicates, and the subject matter inspires. Mary Oz is carving out her own carefree lane in modern music, and the songs speak volumes on behalf of that.
Perhaps his first masterpiece, Leaving feels like a structurally knowledgeable yet still intriguingly alternative indie treasure of a track. I’ve mentioned The Eels previously in terms of that vocal rasp and warmth, the joyful twinkle of the instrumentation, but from a songwriting perspective Marshall Gray falls somewhere between the likes of the nineties emo artists and the more edgy realism of bands like Radiohead and REM.
Future 9 was Bad Bubble’s first ever solo record, a collection of great songs that were twenty years in the making, from an artist with a uniquely captivating story and style.