Fusing cinematic qualities and a multitude of details, the track moves along smoothly at first, growing increasingly energetic and intense as it progresses. Alongside of this, the vocal fragments become sentences, ideas, and this sets the scene in an even more striking way.
There’s something about this artist and this sound that just breathes innovation into the scene. At the same time, the softness and humble delivery of that leading voice is so quietly confident that there’s an additional level of realness and even something slightly endearing about the whole thing.
The song leads with contemporary references that help ignite a whole new era of songwriting that holds close to relationship turmoil but makes it all the more relevant to a modern audience.
This is, ultimately, a powerful and a quite stunning piece of writing and performance, that builds up and falls away gorgeously. The rest of the album appeals all the more so for the purity and realness offered up here.
Fusing a fairly retro, ukulele-driven soundscape, and a delicate, distant vocal melody, with a heavy bass-line and a crisp, contemporary rap flow, the song is anything but familiar, and yet it makes perfect sense just the way that it is.
Vampire Son is a fierce and fiery new track, multi-layered and colourful but in a subtle and intentional manner, and perfectly well balanced in terms of matching great songwriting with superb production. An absolute winner of a come-back.
To break this down to its underlying sentiments, the song for the most part addresses personal difficulty – struggle, regret, looking back. And yet, in line with that you get a surprisingly uplifting & hopeful arrangement, and by the end the song offers a similar level of possibility; ‘Regret can’t be something you take with you everyday’.
Following the release of her conceptual electronic rock project Nefertiti XXI, we caught an interview with artist and songwriter Inanna to find out more about the music and her hopes for the future. Here’s how it went. * * * Hi Inanna – thanks for the interview. Congrats on the debut release. In your own words, … Continued
Exploring themes of obsession and jealousy (and over far too quick, in my opinion), Mine feels modern and personal and would grace any angsty playlist going. The beautifully-recorded vocals and intricate backing track do a fabulous job of exploring how overwhelming obsession can feel. Love it. It’s a gloopy delight, with a magic vocal.
Enter Oluse, an artist who couldn’t care less what the genre expects musically, but who rolls with the punches in his own creatively free and surprisingly captivating manner.
Savesomeone’s voice offers a fitting level of calm and quiet confidence. There’s honesty in the lyrics, vulnerability even, and this, combined with a notably minimalist backdrop, means the performance manages to connect well.
A pristine and professional soundscape creates a trip-hop-like ambiance, a peaceful moment of escapism. Alongside this you get Kenni’s seemingly free-style vocal melody, meandering through the layers, offering personal insight & contemporary references that often feel well-rooted in modern hip hop.