Classic indie rock grooves and good vibes a-plenty rain down from superb Toronto band The Get Alongs this season. Blending the passionate rasp and soulful grit of The Stones with the snappy and anthemic energy of 60s garage rock (and a twist of power pop alongside), Second To None includes timelessly addictive jams like Come … Continued
Singles
Romantically minded as ever, Fly Me To The Moon suits the nuance and tone of Simon’s quietly expressive voice, the song a comforting whisper of confidence and fantasy united, with less of the big-band bravado that first made it recognisable – more of a heartfelt plea under Simon’s guidance.
From the UK creative who dropped the intense genre fusion of Internal Combustion earlier this year, SEDATIVE is an explosive new blend of heavy metal and drum and bass, with haunting hard-rock vocals and intense distorted guitars, all leading through a truly intoxicating realm of terror and inner turmoil.
Jason Chaffee crafts uniquely evocative post-rock anthems with passion and precision, the kind of songs that are fit to embrace the deep-thinkers and nostalgic rock fans alike, and the latest single It’s Down provides a bold and beautifully introspective example.
Soul-rock guitar-play and country-folk songwriting brings a reverb-kissed arena of escapism, as Australian artist James Keith builds on the momentum from his chart-topping 2024 debut, with the evocative and vulnerable, catchy and distinct Cruel Game.
An essential dose of euphoria to sweep you out of your lull this Sunday. Psyborg returns with a stunning, all-consuming new dance track, with hypnotic synths and vocal fragments all carefully woven into a intensely uplifting, ever-evolving soundscape of wonder.
It’s a confident take-down of the fake idols and the surface-level, shallow nature of fame, of society’s adoration of famous faces.
Brilliant writing that intrigues and follows its own expressive, long-form melodic pathways – Amy Blanding pairs a jazz-folk arrangement with enchanting storytelling and performative nuance, for the gentle, graceful, and impactful Flooding and the Foam.
Beautiful songwriting, humble musicianship – piano and a clapped rhythm, raspy vocals and short lines reflecting on war and the painful repeats of history. Patrick McMenamin leads with a voice and writing style that feel evocative, honest, and powerful, for the timeless and passionate folk single The More Things Change.
An indie corner of country music that rightfully brings a twist of personality, and a conceptual celebration of precisely that. Mitchell Broodley highlights the nuance and charm of individuality and connection, with the gorgeous indie warmth of Different’s Where I Wanna Be.
Dance-pop crescendos and floor-filler synths build an EDM and anthemic pop classic, only this time it’s with a twist of powerfully juxtaposed sadness and despair. Mr. Miserable adds a unique angle to the anthemic EDM realm, with the addictive euphoria of LOVE MY MISERY.
Sharp bars, distinct vocals and a playful confidence that captivates across anthemic old-school hip hop beats and catchy jams. DJ S-Three has fun with the process, throughout the 18 original rap tracks of his brand new album Platinum.