Here Pearl’s clear influence from the likes of Kate Bush emerges, but the EP in full is impressively eclectic, and as mentioned, it holds true to a genuine sense of creativity that is from the heart and unafraid to be authentic.
Rebecca Cullen
Songwriting first, an acoustic introduction and gentle to impassioned vocals – honest reflections and smart, catchy rhymes. Rafael Montecruz and Abraham Armell capture the beauty of intentional pop music, with the ballad verse and funk-kissed chorus of Under the Cherry Tree.
An uplifting dose of swinging sixties pop and surf rock, a conceptual brightness that’s more essential now than ever, and a band who consistently deliver a fine level of passion, performative charm, and unity on the stage.
Hazy industrial rock with a catchy indie vocal distantly then intimately mixed – an immersive soundscape, showcasing the work of an artist with everything from songwriting to musicianship to production at their disposal.
SC4REAL starts up his new album with a magnetic opening track, and builds further on the excitement and conscious reflection of Phases Groove throughout what could quite possibly be his most truthful and inspiring project yet.
Introducing a raw and rather audacious take on a classic Nina Simone hit, Texas-born artist and experimental performer Konrad Kinard brings a twist of neo-jazz and Americana, to the instantly recognisable I Put A Spell On You.
“Nullus Rex Means, “No King”, in Latin. The project was born after our president posted an image of himself as king. Knowing we would be a voice for political change we thought the name fit perfectly.”
Heavily juxtaposed layers and moments let emotional integrity guide freely and with a certain intoxicating fire. Candi Carpenter fuses genres as per the changing stages of these storytelling songs, with the boldly evocative new EP Reincarnation.
Electro pop and dance united by conceptual introspection that counters the digital production with a certain humanity and depth. JD Rotate’s latest album digs into the moments, experiences and relationships that shape a life and who we are, and does so by way of an eclectic and pristine stylistic approach.
YaoJing’s focused yet diverse skillset has achieved him high-profile credits on shows like Wings Of Glory, for which he composed the Han Hong-performed TV theme Flying Moment, as well as the theme song I Like You (performed by Zhao Lusi), for which he worked as recording supervisor and vocal producer.
From the brand new album News From Delphi, Atticus Kane promises a careful fusing of raspy indie rock, country and floor-filler pop, for the back-and-forth dynamics of Love Me Not.
Crisp indie rock guitars alongside a unique rhythmic identity and grunge-like vocals (only softer, maybe punk and Americana-inspired) – a certain creative character atop a nostalgic format, even with a hint of alt-country during the peaks.