Collaborating with the iconic ARRDEE, A!MS blends the sharpness of two flows with a catchy melody and an equally addictive groove. It’s simple but uplifting, a likable anthem of a hook resounding, and nostalgic production letting the layers and flavours of the track rain down with a refreshing twist of optimism and positivity.
Rebecca Cullen
An absolute bop, a soulful jazz-kissed hip-hop anthem with a catchy hook and that sublime old-school crackle for the vinyl-like escapism. Boukmanflow lives up to his name, offering a beautifully smart, sharp set of bars, alongside a light and uplifting groove.
Catchy folk-pop with a heartfelt sentiment perfectly capturing the need to realise our connections and similarities in divided times. Fritz Kahn and The Miracles keep things organic and unplugged, with the folk-country stylings, short lines and conceptual warmth of Little Boy Blue.
Keep On Moving is an anthem for the disenchanted, a reminder to focus on the positive things, but not without realistic consideration of the struggles. And it’s all subtle, not lyrically dense but focused, snappy, sharp, and the leading riff has that same distinct quality – a memorable introduction and backbone, which effectively lets the track linger indefinitely in the mind.
Featuring the perfect balance of slick, distorted riffs, high energy, the roar and melody combined to create pure impact, BLOOD DRIPS leads with an hypnotic level of rising anticipation, following whispered, grunge-like vocals through tuneful verses, towards the full rock explosion of an instrumental drop.
Smooth and dynamic production, mellow vibes noting hints of influence from hip hop, folk, reggae – a colourful and increasingly enjoyable gem of an indie track. Caleb Hart collaborates with Tk The Artist and Jayden Brown, for the soulful and addictive new groove Golden Child (Remix). Pouring through with a certain eclectic flair and honesty … Continued
Featuring a lo-fi production that’s cleverly panned in a nostalgic fashion, Desaparecer (meaning ‘disappear’), follows a reggaetón rhythm and a four-chord pattern that’s familiar and easy to get into. Then we get this vocal lead, a relentless outpouring but softly mixed, softly sung; that humility blending pace and quiet charm in a way that’s non-confronting and memorable.
Contemporary by design, a fuzzy overtone that’s easy to escape into, and the contrasting lightness of those ethereal, colourful keys – Fall Again carefully walks the line between stylish and deeply moving. It’s simple but incredibly memorable, and engaging; rare qualities amidst a saturated music realm.
My biggest ambition is to create music that feels like a refuge, something people can step into and feel completely safe, understood, and connected. I don’t just want to release songs; I want to build experiences that stay with people, moments that can offer them peace or strength when they need it most.
Crisp acoustic guitar, generated alongside a raspy vocal style that suits the short but striking lines of the writing. Deepak Chandrasekar brings a catchy reggae-pop gem to the modern scene, with the slick and recognisable King Nothing.
Horror fans, scary-story fanatics, those with a keen addiction and passion for escapism into uncomfortable realms and tales. Introducing an unmissable and aptly-titled, devoted new podcast, with a growing fan-base clearly impressed by the host’s writing and performative abilities at the helm.
This Friday brings a sensational new instalment in the epic Mythrend power-metal extravaganza. The chaos and creativity of Into The East is superb, and this new stage and scene in the story is invaluable, as we dive further into the throws of Lord of The Rings.