Funky basslines and delicate female vocals, catchy songwriting that’s both long-form interesting and snappy when necessary – Wuzy Bambussy capture the essence of the indie festival freedom; a live band unconfined by genre or label expectations.
Rebecca Cullen
Over two decades of experience gracing stages and studios as a devoted drum and bass producer and DJ, Austrian artist DISASZT captures something beautifully original and immersive this time around, with the depth and impressive detail of The Escape.
A great profile of original songs, real vocals and lyrics, real stories from a life lived with passion, presence, and self-awareness. Something different but timeless, poetry and music naturally performed, and with lots of wild and wonderful moments to appreciate.
Summer-style vibes with the big-band energy and smart, snappy rap flow to boot – Darco Polo captures attention with ease, blending contemporary and classic qualities, as well as genres, throughout the likes of his addictively entertaining Give Me More.
Sharp bars and smart storytelling, a clean fusion of contemporary references and personal anecdotes – something motivational and evocative, from the stylish indie corner of Hollywood.
Taking us back to the bedroom recordings of eras past – the simplicity and realism of garage demos and honest indie music. What’s On? created the fifteen original tracks of What’s Off? in between studying software development and working fulltime in a warehouse, and it’s an experimental guitar-pop collection of quirky, often catchy alternative jams.
Authenticity is key, this kind of raw recording style, the live guitar sound and the natural voice – something like Eva Cassidy meets Laura Marling – it’s interesting, unpredictable, but comforting in its humility and introspection.
Atmospheric and intimate all at once, lo-fi keys providing warmth, dreamy vocals and playful rhythms adding a trip-hop sense of expressive guidance, as we dive into something unpredictable, ethereal, and boldly imaginative by nature…
Raw and imperfect, unfiltered and free – an artist opposed to AI-made music and as such maintaining a certain human realism that’s all the more valuable for its timing. Vituia gets provocative, dark, poetic, reflective, and bold, throughout a growing collection of free-flowing original tracks.
The project is complex, and fiercely eclectic, but the ideas and emotions resound and reach out, from the boldness of I’m the villain again, its honesty in crying out for help, through the creative highs and lows of a versatile electronic rock and neo-classical playlist. The openness is welcomed, and the passion is clear and concise.
Great energy, catchy hooks and a classic pop-rock band set-up that’s indicative of the freedom, fun and thoughtfulness of youth. West Coast rock four-piece Satellite Eclipse deliver a colourful earworm of a track, with the brilliantly satisfying indie anthem one hot minute.
Darrell Kelley unites beautifully unique RnB vocals, both raspy and smooth, naturally distinct, with a timeless soul-pop groove, to unforgivingly report upon and draw focus to the lack of accountability regarding the despicable Epstein Files.