Carving out a unique and honest lane, as alternative indie rockers with stories and tunes for days – Izzie’s Caravan have built an impressive repertoire of engaging garage rock tracks in their time as a band, culminating last year with the launch of their fiercely original five-track EP Dorian’s Requiem.
EPs
Openly unfiltered, MMAM is a diary-like account of personal connection and longing. Don’t Let Me Fall soothes the mood after the first track, presenting a sort of comforting alternative vibe – capturing the essence of desire in a way that helps distract us from the pain of separation and lostness.
Dreamy indie pop arrangements with surprisingly bold and energising vocals – Nia Perez pours her heart into soul into both the writing and performance process, and the result is a compelling and intimate yet often euphoric, personal EP.
Vituia writes songs unfiltered and unafraid to really go there – the style is genuine, the stories devotedly unbothered by expectation or opinion, and the voice, in both writing and tone, is quickly unmistakable. The realism resounds, and Vituia’s creative escapism as such provides something defiantly pure.
Bringing serenity to the apparent chaos of a traveling lifestyle, the subtle warmth and harmonised beauty of Irène Schrader’s trilingual EP ECLIPSE is deeply enchanting and calming to let play.
On those occasions when we’re gifted the experience of something truly purposeful and moving in art and music, may we seize the opportunity entirely, to speak with truthful enthusiasm, passion, and promise. As such, I can whole-heartedly encourage you to spend some time, and I assure the value of, listening and exploring in full, The Price Of Salt.
Sublime new music suddenly hits the airwaves, an already impactful Amanda Aponte reaches peak vocal and lyrical embrace, for the emotional depths and enhcnating melodies, of what i didn’t get to say.
Raw indie energy from a drummer and performer with a somewhat art-noir approach to alternative rock. Name This EP! is every bit as uncertain, confronting and vague as its title and opening track imply, the distorted riff and chaos of Not What You Expect setting the bar accordingly, with upfront vocals and rhythmic vocal loops that are impossible to ignore.
Parallel Acceptance is a tearjerker of a listen, the perfect soundtrack to lose yourself within, to shake out those aches of uncertainty, lostness, regret, and to feel understood and strangely comforted, by the universal weight of disconnection.
A dash of Jake Bugg with a touch of yesteryear rock uplift and contrastingly uncertain, even dark lyrics. Kobe masters melody, groove, and juxtaposition, with the sensational songwriting and creative identity of 24.
Blending alt-folk anthemic charm with heavier rock rhythms and quality hooks, L.A.R.P storms into view with the mighty Love Ain’t Gonna Come in The Night, a touch of Ben Caplan to the style, then proceeds through five original tracks that prove equally evocative and performative, but quite boldly unconfined by genre.
Encapsulating the artistic process of experimenting with sound, doing so with an impressive balance of passion and intricate skill, US producer Sycklecell unites atmospheric binaural comfort with euphoric drum and bass, for a three-track EP that’s fearless in its conceptual focus.