Indie rock intensity with soulful vocals and a dreamy shoe-gaze overtone makes up the sound and energizing vibe of Debbie Christ’s new double-anthem release.
Openly vulnerable in a pure and powerful manner, Canadian songwriter and musician Tamara Grace delivers a fiercely delicate performance, while poetically detailing the intricacies of a dead-end relationship.
Dreamy electric guitar of descending, hypnotic patterns and subtle solos make up the opening moments of a warmly organic embrace from Montreal’s Simply Brick.
Indie rock anthems and classic rock passion and power hit the scene with this refreshingly organic, nostalgic take on surf-rock for the contemporary music fan.
SHADNR kicks in with a bang, taking 2020 by the horns as 925 Freestyle showcases everything from style to character, talent, and an increasingly impressive, captivating flow.
Storming through with a seventeen-track-deep collaborative project, Lk Tha Goon brings a fine collection of original songs that make for a refreshing and professionally smooth playlist as 2019 approaches its end.
You can hear Emi Jeen’s connection to the lyrics, you can feel the energy with which she addresses the details; this grows and grows, right the way through to the final moments of the final verse – and then you get the calming drop to the hook once again, bringing you back down to earth.
BICHAI is self-described as an electronic lounge artist, which might imply that a listening experience is an indoor one. But if you close your eyes and listen, the scope of the vision and the depth of the sonic choice makes it a far wider one.
The title of the track attempts to prepare you for this theme, but it’s only when you really delve into the track a few times that it all comes together. A genuinely original approach to hip hop.
A catchy melody, a rhythm & bounce that will most probably win over a number of audiences who revel in the boldness & colour of modern pop music.