Start the day with a euphoric arrangement of evocative melodies, colourful synths and upbeat rhythms, as Margarita Shamrakov and Theo Mann deliver the deeply moving, soulful and immersive Left Me All Alone.
Europe
Capturing attention from the outset with crisp guitars, drums, and the unignorable opening line “There’s something creepy in the next room…” – John Consalvo returns with a bang
Following on from the Ukrainian Aid-raising single Where Did You Go, newly-founded project Wall Side release two further songs in the run-up to completing and presenting their first full-length album.
Seven minutes of audio exploration uniting relentless House rhythms with cinematic layers of industrial and human intricacies – producer and artist SPENSER M rides the wave of success from his recent mixes.
Skillfully capturing a precise and fairly profound balance between the delicacy of its artwork and the contrasting weight of the moment, Richard Maxwell delivers a brilliantly original collection of instrumentals.
The soulful rasp of Stevski17 returns for this grunge-kissed, melodically alluring new single.
“If I could turn back time, George Michael would have been my favorite. A more amazing voice and a more multi-faceted artist is hard to come by today.”
Urgency and passion unite with a warming sense of possibility, as we rise up to consider the implications of not forgiving, and the freedom of actually choosing to forgive – both ourselves, and those around us.
Instantly capturing a sense of joyful possibility, composer Konstantin Dobriak delivers a string-led arrangement of rising warmth and vibrancy, for the inspiring and aptly-fantastical Dreams.
The whole thing feels like a modern-day take on the classic love song, with dashes of Jazz, Pop and Neo-classical design all intertwined throughout.
Every once in a while, an original song comes along that takes you to such a new place of contemplation and feeling, that it becomes close to impossible to analyse or explain the reasons behind it.
Tal Shofet encapsulates the emotions of the writing with a brilliantly bold and versatile set-up. As such, you can appreciate the unplugged ability of I Think I’m Dying as much so as the full-band potential.