“Live music is messy, physical, alive, and becomes a memory—experiences AI simply cannot replicate.”
Swing
An uplifting dose of swinging sixties pop and surf rock, a conceptual brightness that’s more essential now than ever, and a band who consistently deliver a fine level of passion, performative charm, and unity on the stage.
Inspired by a fifty-year-old romantic meeting between two students from Switzerland and France respectively, Je Ne Peux Pas T’oublier relays a story of long-distance love, from a time when the internet and video calls were unheard of.
Joyful nostalgia in live instruments, catchy grooves, and uplifting optimism from the golden age – light baritone crooner Robert Marleigh captures the essence of a simpler time, with the jazz-kissed covers and original songs of his 6-track EP Needle On The Rim.
This latest take on swingin’ vintage pop is a sensational and colourful new song, with lush acoustic riffs, characterful vocals, and snappy, fun lyrics, of brief lines building towards a satisfying crescendo.
Having carved out a unique lane in music with his band JNBW, lead singer and front-man Jesse Posis now sets out on the solo road for an entirely new project.
Perfectly encapsulating the isolation and turmoil of 2020, alongside a brilliantly juxtaposed groove of infectious electro-swing.
Outstanding good vibes pour through amidst a fine fusion of soulful, stylish vocal sampling and faultless production detail – EGO takes things to the next level with the Swing-kissed, addictive dance classic Knock This Feeling.
Quickly igniting nostalgia for the nights of electro-swing and ambient after-parties, lost in the music and the moment – producer Misso keeps things eclectic yet comforting with this short collection of original grooves.
While the title is a nod to modern life, the phrasing, the tech, the search for understanding, what you’ll ultimately find within is a country-rock, jazz-piano-soaked classic – an explosion of organic instrumentation, high energy and nostalgia; enough so to take you way back to bar fights and big bands.
A short collection of covers such as this really reinforces the fact that Andrew Farstar is easily the right choice for anyone looking for a singer with a genuine and deep-running passion for performance and music; regardless of genre or era or style.
The whole thing begins to feel like a circus or carnival-style song – immense energy and multiple layers of colour, but an underlying concept that leans a little more towards depth of thought and even darkness.