Some thought I was transgender. I’m big, I sing low. There’s a law in Russia that bans promoting homosexuality. They refused to work with me, just in case.
Rock
The rhythm & ongoing melody surround you quite hypnotically, closing you off to the noise of the outside world, making the experience about the here & now.
The set-up fuses distorted guitars with classic keys & a vibrant drum line. The artist’s characterful leading voice delivers the sentiment with power.
Keeps you intrigued throughout, right through to the finishing, chaotic moment that is Never Die. The vibrancy & energy exemplify life, living; rock & roll.
The indie-rock vibe is alive & kicking, yet Rhett’s voice rides alongside of it in a pop-meets-funk manner – something true to this artist’s sound alone.
Considerately crafted, as is generally the way with Strangely Alright. There’s always an element of fun, creativity, and some underlying depth or message.
A long-time interest in sci-fi prompted the creation, along with a desire to provide a warning about what could happen if we as a society are not careful.
The Söur Bruthers sound is stylish, energetic, soulful, and satisfying in the way that any great blues-rock or Americana soaked record should be.
The song is easy going & hard hitting all at once. The band are mysterious & skillful, talented & free. There’s something new & beautiful in their sound.
He crafts his tracks in an open & fee manner, yet still keeps you embraced by the warmth & weight of engaging, gripping, authentic rock & roll.
Endearingly delicate & real – the lyrical honesty, the vulnerability in the voice, the organic softness of the surrounding, supporting instrumentation.
The music feels about as close to a live performance as possible, the mix has captured the necessary passion – musically & vocally.