There’s a hint of Rage Against The Machine to this style of performance, a welcomed nod to music’s past, though the UK twang and that classic hip hop confidence help take things somewhere decidedly refreshing.
Rock
Mashing up spoken word, hardcore, rock, pop and more besides, we are taken by the hand and yanked through a blizzard of exciting changes. The highly intelligent and witty mix makes features out of the shouted word ‘fuck’ one minute and a single delicate tap of the bell of a ride cymbal the next.
It sounds like an intentional anthem to me: full of aspirational language, flourishes of gospel ad-libbing and a choir of supporting voices adding warming colours that bloom into the arrangement as the piece progresses. Come on, America – you’d better do as it says.
They write from a place of depth, and they craft their songs based on those intentions & feelings – they don’t sit down & say ‘let’s write a country song, let’s write something blues-rock’, the concept & the moment comes first, which gives them purpose, and a quickly unique vibe that runs throughout these four songs.
A lot of reviewing is predicated upon making comparisons between the subject and other acts that the readership might know, but with The Lost Millions, this is more of a challenge than usual, and that’s a real feather in their cap.
Storming through the speakers with nothing so much as an introduction or a moment of quiet, Open My Mind is a brilliantly upbeat and deeply thoughtful pop-rock song – one that subtly leans towards punk-pop with its fast-paced power-chords and the often grunge-soaked nature of the leading melody.
Lounge Act Jam return with an indie-rock-infused, grunge-soaked yet rhythmically uplifting new single – the lyrically minimalist but conceptually quick to the point When The River Flows.
Following the release of their immense new single Not My World, we caught an interview with industrial rock outfit Methodical to find out more about what drives them as a band. Here’s how it went. * * * Hi guys – thanks for the chat, congrats on the new release. What’s the story behind Not My World? … Continued
Creep deals partly with what the title promises, though topics vary to keep things interesting, and it delivers consistently with this familiar Nirvana-style set-up and the unmistakable yet ever-unexpected innocence of that leading vocal tone.
The song begins with a clean riff stylistically similar to The Cult, coupled with a laid-back groove. Both elements are drenched in reverb, and provide a moodier aesthetic. The sheer size of this track is certainly as the name would suggest – biblical.
Not My World makes for a rather stunning introduction to the band, their sound is immediately powerful, melodic yet hard-hitting, and musically masterful in every way. Delicate synth riffs meet with heavy distortion and a series of captivating performances that prove increasingly impressive as things progress.
To quote their own subtitles in the video, this tune is ‘shwanky boooyyyyzzz’! It’s confident, full of swagger and fine musicianship. The guitar playing is as crisp and detailed as you could wish for – and the whole is a toe-tapping lesson in full-on groove.