“Producing and doing co-writes with other artists. That’s my day job and what I care about most at this point.”
Rock
“I am not the type of songwriter or producer that seeks to decipher industry trends in an effort to anticipate what the audience wants.”
3mind Blight displays the ups and downs of life through various musical pathways, always unexpected but always in tune with the natural flow of his creativity and depth.
You never know what to expect, but always the sound fits the mold or voice of the artist.
Increasingly proving as catchy as it is emotionally engaging and dreamy to escape into, Kiss Me Like The World Is Ending emerges like a timeless, addictive indie hit.
Seattle’s 100DAYS ignite a sense of unity and calm, with the wonderfully poetic, hypnotic and soothing tones of an aptly colourful Blue.
The reverberating, distorted embrace of Salt Of The Earth showcases a quickly immersive, dark and captivating act at the peak of modern metal’s reach.
Celebrating oneness, shared humanity and cultural vastness, The Siegbachthal Rock Opera is an artistic endeavor and journey more than worth the time it takes to explore.
“Creature Benny only exists because I wrote some songs, and decided they were worth recording and releasing. And then I actually did it. So do your thing, ‘cause no one’s watching anyway. Get Freaky Nasty.”
Iceland rock outfit KRAMPAR encapsulate the turmoil of their name and story with a leading single that quickly and poetically enthrals from the outset.
Following on from four years worth of creative releases, Soulic Paradox launch a brand new album and a handful of original singles, to further secure their role within an artistically fearless realm.
Introducing a project with story and depth intertwined amidst the profoundness of poetry and the creative freedom of artistically-driven rock.