Featuring the classic punk-rock energy of any Trey Wonder single – fast-paced power chords and raw drum work – the release also offers up a crisp and compelling series of visuals that help further draw in the audience
Rock
Driving with the sort of festival-ready, organic Americana & blues-rock core that quickly invites interest, Fallen Lord goes on to balance quality riffs with equal parts distortion & clarity.
Infectious blues rock and roll pours through for this superb new single from alternatives Psychocide.
It’s a song for the fans, for the people, for the band, and it does precisely what we needed it to do.
Really unique writing, a style that feels nostalgic alongside a certain air of newness that’s incredibly commendable & rare these days. Well worth escaping into at volume this season.
Sublime guitar-work pairs the acoustic & electronic realms to lead us into this thoughtful & poetic soft-rock anthem from Eonian.
Originally written by Steve Winwood and Traffic, Dear Mr. Fantasy gets a fresh makeover – forming yet another addictive classic from rock’s one and only The R Train.
Featuring a hypnotic pairing of emotive piano and fiercely delicate electric guitar, Good Fight starts off strongly and continues to raise the bar throughout.
The UK’s own fast-rising indie rockers The Lunar Keys propel themselves even higher with this brilliantly provocative, conceptually poignant & musically beautiful new single.
Beautifully seductive verses pave the way alongside subtle yet satisfying guitar work, and always there’s this impressive, genuine core of intention & integrity to the writing & performance style.
A great riff often separates the great from the good, and here we get a recognisable yet softly complex, quickly impressive one, to lead us into what proves a beautifully explosive and passionate new anthem.
Alex Julia blends the raw acoustic world with indie rock experimentation as she leads us into this new, deeply personal collection of originals.