Representing the old-school unity between slick beats and sharp bars, in collaboration with World Wide Recordings – 500 BC and DJ Flipcyide capture a series of hard-hitting moments, for the anthemic original hip hop album On The Come Up.
Producer
Take yourself to the centre of New York City living, as cmon3tta (pronounced see-moe-net-uh) delivers the follow-up EP for his manhattan project – a three-track collection beginning with perhaps his most immersive and deeply consuming listen yet.
A truly intoxicating modern take – a classic pop song reimaged under a euphoric synth-wave and EDM light of pulsating rhythms and softly evocative vocals. Lifelong German artist and musician Tommy Countach promises a fully immersive to uplifting and satisfying new cover, of the iconic Another Day In Paradise.
Inspired by the alluring spaces between sound and music – more precisely, the rare frequency of the deep-sea 52Hz whale – SOUND52 is a uniquely organic electronic music studio, within which profoundly evocative compositions are born; crafted from an enchanting fusion of emotion, memory, nature, and movement.
Let’s get the record straight – cmon3tta, pronounced see-moe-net-uh, is the work of creative artist Chris Simonetta – a one-man band writing, performing, recording and producing from a uniquely eclectic collection of instruments and influences.
By this point, EMA has effectively graduated from good to great, in my view. The creativity is next level, and Sienná has managed to balance absolute artistic freedom and versatility with a clear sense of reason, intention, and value. This lets the album feel incredibly diverse yet relevant from start to finish.
An industrial thumping rhythm that’s somehow both distant and intimate. A reverb-kissed electric guitar, two chords strummed singularly like waves, and a heavily electronically effected vocal.
Hazy industrial rock with a catchy indie vocal distantly then intimately mixed – an immersive soundscape, showcasing the work of an artist with everything from songwriting to musicianship to production at their disposal.
Electro pop and dance united by conceptual introspection that counters the digital production with a certain humanity and depth. JD Rotate’s latest album digs into the moments, experiences and relationships that shape a life and who we are, and does so by way of an eclectic and pristine stylistic approach.
On thoughts of everything getting a return, great music increasingly circles back to the building blocks of deeply evocative sub-genres – the charm and enchantment of trip hop, in example; the uplifting vibrancy of drum and bass, the creative freedom of both, and the intimate, engaging fluidity of honest voices.
Blackout is a huge celebration of a multi-vocal chorus in the end, carefully juxtaposing the darkness of the subject matter, and is ultimately one of the most addictive songs of the summer.
Evocative stories carefully intertwined with the multi-layered euphoria of melodic house. A deeply personal fusion of realms – the timeless floor-filler exhilaration, and the quiet pop and poetry of a heartfelt vocal thread.