Project Haze turns out to be the perfect name for this band. These dreamy yet purposeful songs connect for their realness & soft embrace alike.
Pop
Featuring the vocal stylings of Marco George, I Think I Don’t Know Ya introduces Navin Bhatt’s unique fusion of dance and pop amidst a somewhat nostalgic, eighties-esque depth of sound and wash of distance.
Setting the scene with clear imagery & detail, Getaway progresses from its simple verses to the satisfying resolve of its hook in a manner that feels a little like a nineties pop-country hit.
Featuring vocals and writing from artist and composer Daniel Correa, The Collective Bus is a project driving with organic pop-rock sensibilities that build up beautifully from acoustic delicacy to the warmer embrace of a full band.
Setting you up with a synth down-pour designed for & dedicated to uplifting audiences into the euphoric electronic warmth of pure energy.
Conceptually heavy and rightfully engaging from a performance and stylistic perspective, Nahoum Hay’s February depicts a harrowing story of abuse, and blends poetic vagueness and detailed imagery in order to do so.
LA-ready in its summer style and 21st century concept, Tootie’s Lifestyle accesses the confidence and bragging rights of the contemporary hip hop scene, whilst throwing in an offbeat reggae rhythm and an admittedly impressive vocal flow during the verses.
Contemporary dance-pop creates an immediately uplifting mood alongside a single and performance focused on equally inspiring, empowering energy.
Fantastic song-writing, fresh & engaging, easily memorable. Hopefully this is a strong indication of what we can look forward to from Jon Omen as the months & years go by.
Beautifully heartfelt, complex & open, loaded with vulnerability & struggle, confidence & uncertainty – the writing is powerful, and the sound is on point being both artistic & modern by design.
Tipping its hat to the pop-rock sound of the nineties – and, in hindsight, the retro artwork playing a similar card – Bitch Boy is a catchy number with surprisingly heartfelt, genuine verses to it.
AZA has something worthy of hearing, and this is true of both the music and the writing.