Imbred’s return this month brings perhaps an even harder hitting display of classic grunge than anything from before. The songs offer a string of single word titles & ideas that provoke a certain level of thinking; personal reflection, consideration of mental health, feelings of isolation & the little things we turn to for relief. 

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The whole thing builds up from the offset and works hard to surround and embrace its audience. At the final hurdle, The Blackmail Seduction remind you that a real-time gig is the place to be – these songs will undoubtedly explode into new realms of life during a live set. Brilliant songwriting and a pleasure to have fill the room. 

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It’s a raw sound, it sounds live – something you don’t get too much of these days. You can hear the band in real time, and the unity between the bass, the guitars, the melody, and the drums – a brilliant performance on the drums – is easy to get on board with.

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Whatever opinions you form after hearing just half of any one of these songs, they’re likely to be blown out of the water within a few minutes of hearing whatever else surrounds it. This album is a work of art for modern grunge & rock in general. 

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Even having heard the project in full, there’s a lot left to the imagination – there are still many questions about the meanings of these songs & the feelings involved in the creative process; as was often the case with genuine grunge & alternative rock music.

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